This is the first study of French theater and war at a time of global revolutions, colonial violence, and radical social transformation. Analyzing France and its largest Caribbean colony (Saint-Domingue), and spanning the Old Regime and Revolution, Logan Connors presents an ambitious, richly interdisciplinary argument, grounded in theater and performance studies, literary analysis of drama, and cultural, military, and gender history. Demonstrating how war and soldiering catalyzed new drama types and fostered theater's expansion into France's geographical and social peripheries, the study also shows how theater emerged as a dynamic space in which military practices could be re-imagined. This major scholarly intervention provides unparalleled insight into theater's engagement with international and domestic war efforts during a transformational period in global history.
This is the first study of French theater and war at a time of global revolutions, colonial violence, and radical social transformation. Analyzing France and its largest Caribbean colony (Saint-Domingue), and spanning the Old Regime and Revolution, Logan Connors presents an ambitious, richly interdisciplinary argument, grounded in theater and performance studies, literary analysis of drama, and cultural, military, and gender history. Demonstrating how war and soldiering catalyzed new drama types and fostered theater's expansion into France's geographical and social peripheries, the study also shows how theater emerged as a dynamic space in which military practices could be re-imagined. This major scholarly intervention provides unparalleled insight into theater's engagement with international and domestic war efforts during a transformational period in global history.
