It all happened in the nineties. Oil not only ran out, but the thicket grew from the depleted oilfields--and, at the same time, from the large amount of garbage in the oceans--a new life form capable of digesting plastic, but toxic to human beings. This great pandemic nearly destroyed civilization. Worse: while it progressed during the twenty-first century, humanity learned to survive in a world no longer globalized. A world of provinces where Federico Stahl, former teenage piano virtuoso, wanders in a concert tour that will take him to oneiric and haunting towns, to singular characters (such as an old Michael Jackson impersonator and an Argentinian dwarf porn star), along ruined highways in the thicket, and to secrets of stranger futures lurking in the wilderness, among post-apocalyptic pirates, lost toys, and old piano variations. Ramiro Sanchiz, one of the most peculiar voices in contemporary Uruguayan narrative, composes a suggestive and seductive novel, permeated with futuristic melancholy.
It all happened in the nineties. Oil not only ran out, but the thicket grew from the depleted oilfields--and, at the same time, from the large amount of garbage in the oceans--a new life form capable of digesting plastic, but toxic to human beings. This great pandemic nearly destroyed civilization. Worse: while it progressed during the twenty-first century, humanity learned to survive in a world no longer globalized. A world of provinces where Federico Stahl, former teenage piano virtuoso, wanders in a concert tour that will take him to oneiric and haunting towns, to singular characters (such as an old Michael Jackson impersonator and an Argentinian dwarf porn star), along ruined highways in the thicket, and to secrets of stranger futures lurking in the wilderness, among post-apocalyptic pirates, lost toys, and old piano variations. Ramiro Sanchiz, one of the most peculiar voices in contemporary Uruguayan narrative, composes a suggestive and seductive novel, permeated with futuristic melancholy.
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