The River Flows On is an impressively broad study of slave resistance in America, spanning the colonial and antebellum eras in both the North and South and covering all forms of recalcitrance, from major revolts and rebellions to everyday acts of disobedience. Walter C. Rucker analyzes American slave resistance with a keen understanding of its African influences while he also traces the emergence of an African American identity, orientation, consciousness, and culture. Rucker identifies African ethnic enclaves throughout the original thirteen colonies that produced unique modes of resistance, but he also points to the shared cultural heritage that facilitated collective action among both African- and American-born slaves. The ubiquitous belief in conjure and spiritual forces, the importance of martial dance and the drum, and ideas about the afterlife and transmigration all served as cultural bridges and fostered a sense of solidarity among slaves. Focusing on the role of African cultural and sociopolitical forces, Rucker gives in-depth attention to the 1712 New York City revolt, the 1739 Stono rebellion in South Carolina, the 1741 New York conspiracy, Gabriel Prosser's 1800 Richmond slave plot, and Denmark Vesey's 1822 Charleston scheme. He concludes with Nat Turner's 1831 revolt in Southampton, Virginia, which bore the marks of both conjure and Christianity, reflecting a new, African American consciousness. More than a basic human reaction to oppressive circumstances, slave resistance in early America was distinctly rooted in multiple strands of African ethnic heritage. With rich evidence drawn from anthropology, archaeology, and religion, The River Flows On is both innovative and convincing.
The River Flows On is an impressively broad study of slave resistance in America, spanning the colonial and antebellum eras in both the North and South and covering all forms of recalcitrance, from major revolts and rebellions to everyday acts of disobedience. Walter C. Rucker analyzes American slave resistance with a keen understanding of its African influences while he also traces the emergence of an African American identity, orientation, consciousness, and culture. Rucker identifies African ethnic enclaves throughout the original thirteen colonies that produced unique modes of resistance, but he also points to the shared cultural heritage that facilitated collective action among both African- and American-born slaves. The ubiquitous belief in conjure and spiritual forces, the importance of martial dance and the drum, and ideas about the afterlife and transmigration all served as cultural bridges and fostered a sense of solidarity among slaves. Focusing on the role of African cultural and sociopolitical forces, Rucker gives in-depth attention to the 1712 New York City revolt, the 1739 Stono rebellion in South Carolina, the 1741 New York conspiracy, Gabriel Prosser's 1800 Richmond slave plot, and Denmark Vesey's 1822 Charleston scheme. He concludes with Nat Turner's 1831 revolt in Southampton, Virginia, which bore the marks of both conjure and Christianity, reflecting a new, African American consciousness. More than a basic human reaction to oppressive circumstances, slave resistance in early America was distinctly rooted in multiple strands of African ethnic heritage. With rich evidence drawn from anthropology, archaeology, and religion, The River Flows On is both innovative and convincing.
