This cleverly illustrated volume by Alfred Noyes offers a literary selection of poetry that reference fairies in all their shapes and forms. Along with works by Noyes, The Magic Casement also features selections by William Shakespeare, Rudyard Kipling and G. K. Chesterton. Noyes allows the reader to traverse new, fantastic worlds filled with water lilies, humor, love and magic. Alfred Noyes (1880-1958) was a prolific writer who was able to move successfully across several genres. Though he began in poetry, he also wrote screenplays, science fiction novels, ballads and short stories. He did a great deal of traveling and lecturing, spending time in his birth country of England as well as the United States, Canada, various points in South America, and eventually returning to the Isle of Wight where he spent his final years. He wrote numerous works, including The Loom of Y ears (1902), a biography, William Morris (1908), Some Aspects of Modern Poetry (1924), The Last Man (1940) and his autobiography, Two Worlds for Memory (1953). This edition has large margins to allow for reader notations.
This cleverly illustrated volume by Alfred Noyes offers a literary selection of poetry that reference fairies in all their shapes and forms. Along with works by Noyes, The Magic Casement also features selections by William Shakespeare, Rudyard Kipling and G. K. Chesterton. Noyes allows the reader to traverse new, fantastic worlds filled with water lilies, humor, love and magic. Alfred Noyes (1880-1958) was a prolific writer who was able to move successfully across several genres. Though he began in poetry, he also wrote screenplays, science fiction novels, ballads and short stories. He did a great deal of traveling and lecturing, spending time in his birth country of England as well as the United States, Canada, various points in South America, and eventually returning to the Isle of Wight where he spent his final years. He wrote numerous works, including The Loom of Y ears (1902), a biography, William Morris (1908), Some Aspects of Modern Poetry (1924), The Last Man (1940) and his autobiography, Two Worlds for Memory (1953). This edition has large margins to allow for reader notations.
