In The House of Grana Padano, each shimmering micro story hovers between standup comedy and the unfolding of tragedy, between the mask and the mirror: A salesman tries on a suit and gets lost inside it; an ex-wife moves into a house made of Grana Padano cheese while her former husband nibbles the corners; and a father folds his daughter so tightly into his chest that her childhood disappears. Two modern masters of the fabulist micro, Pokrass and Friedman stretch language like magicians who are deep into their most amazing acts, creating elusive personas who can mime love, hate, anger or sorrow. The characters in these stories are searching for a moment to grasp, a future in all the dissolution around them, a family to love or curse. This improvisational collaboration between two critically acclaimed authors takes microfiction into a playful surreal universe that is wildly humorous and deeply truthful.
In The House of Grana Padano, each shimmering micro story hovers between standup comedy and the unfolding of tragedy, between the mask and the mirror: A salesman tries on a suit and gets lost inside it; an ex-wife moves into a house made of Grana Padano cheese while her former husband nibbles the corners; and a father folds his daughter so tightly into his chest that her childhood disappears. Two modern masters of the fabulist micro, Pokrass and Friedman stretch language like magicians who are deep into their most amazing acts, creating elusive personas who can mime love, hate, anger or sorrow. The characters in these stories are searching for a moment to grasp, a future in all the dissolution around them, a family to love or curse. This improvisational collaboration between two critically acclaimed authors takes microfiction into a playful surreal universe that is wildly humorous and deeply truthful.