In Colwell's version of Jheronimus van Aken (Bosch's real name), he is an artist paid well by local dukes to paint a vision of the world before the fall, but will the religious leaders of his village see it as celebrating God's creation, or fatally corrupted by sensuality? And what of the increasing numbers of young models needed to depict pre-apple innocence?
This imaginatively conceived graphic biography is Colwell's crowning achievement in a cartooning career, begun in the underground comix movement of the 1970s, and marked by risk-taking and political engagement. His drawing, rendering, and storytelling has never been as self-assured as in Delights.