This book historicises Anglo-American queer theory by excavating a rival epistemology that advanced a communist sexuality during the Cold War. It proposes a new dialectical theory that inserts socialist ideas and films in the epistemology of queer studies.
This book historicises Anglo-American queer theory by excavating a rival epistemology that advanced a communist sexuality during the Cold War. It proposes a new dialectical theory that inserts socialist ideas and films in the epistemology of queer studies.
