Like subtitles read in a foreign film, the pace of "Cambodia" accelerates, and the reader's eye quickens as the work unfolds. Soon, "Cambodia" is moving more swiftly than the images on the evening news, showing us that the book's title is not an enigma, but a realistic description of its remarkably interactive contents.
Brian Fawcett's passion stirs us to resist the annihilation of memory and imagination in our society, lest we lose "our right to remember our pasts and envision new futures" in a violent world where "Cambodia is as near as your television set."