-Choosing the right voice teacher or vocal coach
-Why auditioning for a musical is different from auditioning for a play
-Choosing the right material
-How to act a song
-What to sing at a callback
-How to handle the accompanist
-What to wear to auditions
-How to "sell" a comedy number
-How to handle stage fright Plus lists of more than 130 excellent yet unusual songs -- including selections suitable for juvenile actors, romantic leads, character actors, comics, and performers who are primarily dancers. With a foreword by Charles Strouse, composer of Annie and Bye Bye Birdie. "When Fred Silver writes, it is worthwhile to read carefully, and practice what he teaches." -- Donald Pippin, music director of Oliver, Mame, A Chorus Line, and La Cage Aux Folles
-Choosing the right voice teacher or vocal coach
-Why auditioning for a musical is different from auditioning for a play
-Choosing the right material
-How to act a song
-What to sing at a callback
-How to handle the accompanist
-What to wear to auditions
-How to "sell" a comedy number
-How to handle stage fright Plus lists of more than 130 excellent yet unusual songs -- including selections suitable for juvenile actors, romantic leads, character actors, comics, and performers who are primarily dancers. With a foreword by Charles Strouse, composer of Annie and Bye Bye Birdie. "When Fred Silver writes, it is worthwhile to read carefully, and practice what he teaches." -- Donald Pippin, music director of Oliver, Mame, A Chorus Line, and La Cage Aux Folles
Paperback
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