In this study, the first to consider Luchino Visconti's entire oeuvre, Henry Bacon examines the films of one of Italy's preeminent filmmakers against the cultural, historical, and biographical contexts in which they were made. Through analysis of his achievements, Visconti also emerges as a twentieth century inheritor and renewer of the nineteenth-century narrative tradition, especially that of the novel and the opera.
In this study, the first to consider Luchino Visconti's entire oeuvre, Henry Bacon examines the films of one of Italy's preeminent filmmakers against the cultural, historical, and biographical contexts in which they were made. Through analysis of his achievements, Visconti also emerges as a twentieth century inheritor and renewer of the nineteenth-century narrative tradition, especially that of the novel and the opera.
