Post-Christian Religion in Popular Culture: Theology through Exegesis analyzes several theological exegeses of contemporary popular culture as post-Christian scripture. It includes analyses of the Marvel Cinematic Universe, The Lion King, and Cloud Atlas, the television shows Lucifer and Shameless, and contemporary pop punk and alternative music. Through an application of three hermeneutical methods (re-enchantment, resourcement, and rescription), a prophetic and apocalyptic critique of modernity, and an analysis of the late-modern human condition, Andrew D. Thrasher argues how popular culture recites post-Christian religious and theological messages marked by a post-disenchantment theology constituted by the consumption of these messages shapes and informs what the contemporary world finds believable, credible, and desirable in a post-Christian context.
Post-Christian Religion in Popular Culture: Theology through Exegesis
Post-Christian Religion in Popular Culture: Theology through Exegesis analyzes several theological exegeses of contemporary popular culture as post-Christian scripture. It includes analyses of the Marvel Cinematic Universe, The Lion King, and Cloud Atlas, the television shows Lucifer and Shameless, and contemporary pop punk and alternative music. Through an application of three hermeneutical methods (re-enchantment, resourcement, and rescription), a prophetic and apocalyptic critique of modernity, and an analysis of the late-modern human condition, Andrew D. Thrasher argues how popular culture recites post-Christian religious and theological messages marked by a post-disenchantment theology constituted by the consumption of these messages shapes and informs what the contemporary world finds believable, credible, and desirable in a post-Christian context.