Dissatisfied with the large works in steel he had hitherto produced, in this volume (first published by TVRT in 1972) Peter Downsbrough (born 1940) set out the groundwork for what would become a minimal vocabulary, in his sculptures as in his books: the tension between two parallel lines, often coupled with isolated words, divided internally.
Dissatisfied with the large works in steel he had hitherto produced, in this volume (first published by TVRT in 1972) Peter Downsbrough (born 1940) set out the groundwork for what would become a minimal vocabulary, in his sculptures as in his books: the tension between two parallel lines, often coupled with isolated words, divided internally.
