But Ralston was a novelist and artist in her own right, though her writing is no longer in print and her most radical painting, My Death, deemed too unsettling--malevolent even--to be shown in public. Over the months that follow, Ralston proves an astonishingly cooperative subject, even as her biographer uncovers eerie resonances between the older woman's history and her own. Whose biography is she writing--really?
But Ralston was a novelist and artist in her own right, though her writing is no longer in print and her most radical painting, My Death, deemed too unsettling--malevolent even--to be shown in public. Over the months that follow, Ralston proves an astonishingly cooperative subject, even as her biographer uncovers eerie resonances between the older woman's history and her own. Whose biography is she writing--really?
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