The author of this impressive collection of poems, Joseph Stanton, is both a scholar and masterful practitioner of ekphrastic poetry. His commitment to the form is evident in Moving Pictures, his third collection of ekphrastic poems. In this volume, Stanton offers poems inspired by both European artists (Paul Gauguin, Vincent van Gogh, Ren Magritte, and others) and American artists (Winslow Homer, Thomas Cole, Edward Hopper, and others). In the section Painting the Corners, there are, among others, poems on Andy Warhol's Baseball, Lisa Dinhofer's Spring Street Hardball, and the classic photo of Jackie Robinson stealing home. In the final section, Screens in the Dark, Stanton's poems are about movies, including Being John Malkovich, Eternal Sunshine of the Spotless Mind, and Groundhog Day. Like his previous work, this volume shows Stanton's exquisite sense of perception and insight as he indulges readers with new ways of seeing art.
The author of this impressive collection of poems, Joseph Stanton, is both a scholar and masterful practitioner of ekphrastic poetry. His commitment to the form is evident in Moving Pictures, his third collection of ekphrastic poems. In this volume, Stanton offers poems inspired by both European artists (Paul Gauguin, Vincent van Gogh, Ren Magritte, and others) and American artists (Winslow Homer, Thomas Cole, Edward Hopper, and others). In the section Painting the Corners, there are, among others, poems on Andy Warhol's Baseball, Lisa Dinhofer's Spring Street Hardball, and the classic photo of Jackie Robinson stealing home. In the final section, Screens in the Dark, Stanton's poems are about movies, including Being John Malkovich, Eternal Sunshine of the Spotless Mind, and Groundhog Day. Like his previous work, this volume shows Stanton's exquisite sense of perception and insight as he indulges readers with new ways of seeing art.