UADA

Djinn EISENWALD Portland’s polarising black metallers turn up the heat UADA BECAME RAPIDLY noteworthy for their technicolour take on black metal traditionalism on 2016’s Devoid Of Light. 2018’s Cult Of A Dying Sun was a more ambitious affair that further explored their evident love for the Norwegian second wave’s bombastic proponents, the duelling guitars of necrotic vocalist Jake Superchi and James Sloan the main event, wrought with a clarity of production that placed them on the more polished, accessible end of the spectrum. It was captivating for some, not cult enough for others, it’s fair to say. On the eve of their third release, Djinn, then, the question remains: are Uada the real deal? As the titular opening track erupts it’s clear that the band’s sound has reached new heights, focused entirely around the…

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Metal Hammer UK (Digital) - 1 Issue, October 2020

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