Complications both practical and emotional arise: the passion in Maria's blood rises with a vengeance; Darcourt stoops to petty crime; and various others indulge in perjury, blackmail, and other unsavory pursuits. Hoffmann's dictum, "the lyre of Orpheus opens the door of the underworld," seems to be all too true--especially when the long-hidden secrets of Francis Cornish himself are finally revealed. "Davies once again delivers the goods--with this solidly entertaining finale . . . Blending a characteristic knack for wit, esoterica, and snobbery, Davies charges ahead with a buoyant tale of upper-class grantsmanship and modern-day cuckoldry . . . A spry jaunt from an old master--once again in full command of the form."--Kirkus Reviews "Packed with interesting details of opera history and production . . . intelligent observations and playful allusions."--Publishers Weekly "With his wonderfully complex yet controlled plot, deft portrayal of eccentric characters, and great wit, Davies effectively satirizes the world of universities and foundations."--Library Journal
Complications both practical and emotional arise: the passion in Maria's blood rises with a vengeance; Darcourt stoops to petty crime; and various others indulge in perjury, blackmail, and other unsavory pursuits. Hoffmann's dictum, "the lyre of Orpheus opens the door of the underworld," seems to be all too true--especially when the long-hidden secrets of Francis Cornish himself are finally revealed. "Davies once again delivers the goods--with this solidly entertaining finale . . . Blending a characteristic knack for wit, esoterica, and snobbery, Davies charges ahead with a buoyant tale of upper-class grantsmanship and modern-day cuckoldry . . . A spry jaunt from an old master--once again in full command of the form."--Kirkus Reviews "Packed with interesting details of opera history and production . . . intelligent observations and playful allusions."--Publishers Weekly "With his wonderfully complex yet controlled plot, deft portrayal of eccentric characters, and great wit, Davies effectively satirizes the world of universities and foundations."--Library Journal
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