Fact is torn from fiction in this first biography of Mexico's famous independence heroine, which also traces her subsequent journey from history to myth. Mara Ignacia Rodrguez de Velasco y Osorio Barba (1778-1850) is an iconic figure in Mexican history. Known by the nickname "La Gera Rodrguez" because she was so fair, she is said to have possessed a remarkably sharp wit, a face fit for statuary, and a penchant for defying the status quo. Charming influential figures such as Simon Bolvar, Alexander von Humboldt, and Agustn de Iturbide, she utilized gold and guile in equal measure to support the independence movement--or so the stories say. In La Gera Rodrguez, Silvia Marina Arrom approaches the legends of Rodrguez de Velasco with a keen eye, seeking to disentangle the woman from the myth. Arrom uses a wide array of primary sources from the period to piece together an intimate portrait of this remarkable woman, followed by a review of her evolving representation in Mexican arts and letters that shows how the legends became ever more fanciful after her death. How much of the story is rooted in fact, and how much is fiction sculpted to fit the cultural sensibilities of a given moment in time? In our contemporary moment of unprecedented misinformation, it is particularly relevant to analyze how and why falsehoods become part of historical memory. La Gera Rodriguez will prove an indispensable resource for those searching to understand late-colonial Mexico, the role of women in the independence movement, and the use of historic figures in crafting national narratives.
Fact is torn from fiction in this first biography of Mexico's famous independence heroine, which also traces her subsequent journey from history to myth. Mara Ignacia Rodrguez de Velasco y Osorio Barba (1778-1850) is an iconic figure in Mexican history. Known by the nickname "La Gera Rodrguez" because she was so fair, she is said to have possessed a remarkably sharp wit, a face fit for statuary, and a penchant for defying the status quo. Charming influential figures such as Simon Bolvar, Alexander von Humboldt, and Agustn de Iturbide, she utilized gold and guile in equal measure to support the independence movement--or so the stories say. In La Gera Rodrguez, Silvia Marina Arrom approaches the legends of Rodrguez de Velasco with a keen eye, seeking to disentangle the woman from the myth. Arrom uses a wide array of primary sources from the period to piece together an intimate portrait of this remarkable woman, followed by a review of her evolving representation in Mexican arts and letters that shows how the legends became ever more fanciful after her death. How much of the story is rooted in fact, and how much is fiction sculpted to fit the cultural sensibilities of a given moment in time? In our contemporary moment of unprecedented misinformation, it is particularly relevant to analyze how and why falsehoods become part of historical memory. La Gera Rodriguez will prove an indispensable resource for those searching to understand late-colonial Mexico, the role of women in the independence movement, and the use of historic figures in crafting national narratives.
