This richly illustrated publication examines the last 25 years of the influential Toioho ki Apiti programme at Massey University, its global indigenous pedagogical reach, and its ongoing impacts on national and international contemporary art and cultural sectors. Toioho ki Apiti's transformative and kaupapa Maori-led programme and its pedagogical model is structured around Maori notions of Mana Whakapapa (inheritance rights), Mana Tiriti (treaty rights), Mana Whenua (land rights) and Mana Tangata (human rights) and is unique in Aotearoa. Its staff and graduates, who include Bob Jahnke, Shane Cotton, Brett Graham, Rachael Rakena, Kura Te Waru-Rewiri, Israel Birch and Ngatai Taepa, are some of the most exciting, powerful and influential figures in contemporary art in Aotearoa New Zealand. Through a series of intimate conversations, Ki Mua, Ki Muri describes the unique environment that has helped form them. Professor Ngahuia Te Awekotuku and Nigel Borell write the forewords.
This richly illustrated publication examines the last 25 years of the influential Toioho ki Apiti programme at Massey University, its global indigenous pedagogical reach, and its ongoing impacts on national and international contemporary art and cultural sectors. Toioho ki Apiti's transformative and kaupapa Maori-led programme and its pedagogical model is structured around Maori notions of Mana Whakapapa (inheritance rights), Mana Tiriti (treaty rights), Mana Whenua (land rights) and Mana Tangata (human rights) and is unique in Aotearoa. Its staff and graduates, who include Bob Jahnke, Shane Cotton, Brett Graham, Rachael Rakena, Kura Te Waru-Rewiri, Israel Birch and Ngatai Taepa, are some of the most exciting, powerful and influential figures in contemporary art in Aotearoa New Zealand. Through a series of intimate conversations, Ki Mua, Ki Muri describes the unique environment that has helped form them. Professor Ngahuia Te Awekotuku and Nigel Borell write the forewords.
