Millie's decidedly not Amish best friend, Lois Henry, is outspoken, colorful, and so hopelessly romantic, she's had four husbands. Millie doesn't judge, and she also doesn't expect to run into Lois's most recent ex, gambler Gerome Moorhead, in small-town Harvest, Ohio. With him is the very young, new Mrs. Moorhead, aka "Honeybee." Lois is outraged, but Millie is completely shocked to learn the next day that Gerome is already a widower . . . When a large wood carving at the cozy Munich Chalet falls on "Honeybee," all eyes turn toward Lois. Who else would want a tourist--a complete stranger--dead? And half of Harvest witnessed Lois's enmity toward the young woman. Suddenly Millie must put aside her sewing needle and flex her sleuthing skills. She's no stranger to a murder investigation, after all, and if she doesn't learn who killed Honeybee, Lois could go from Millie's boisterous best friend to her horrified prison penpal . . .
Millie's decidedly not Amish best friend, Lois Henry, is outspoken, colorful, and so hopelessly romantic, she's had four husbands. Millie doesn't judge, and she also doesn't expect to run into Lois's most recent ex, gambler Gerome Moorhead, in small-town Harvest, Ohio. With him is the very young, new Mrs. Moorhead, aka "Honeybee." Lois is outraged, but Millie is completely shocked to learn the next day that Gerome is already a widower . . . When a large wood carving at the cozy Munich Chalet falls on "Honeybee," all eyes turn toward Lois. Who else would want a tourist--a complete stranger--dead? And half of Harvest witnessed Lois's enmity toward the young woman. Suddenly Millie must put aside her sewing needle and flex her sleuthing skills. She's no stranger to a murder investigation, after all, and if she doesn't learn who killed Honeybee, Lois could go from Millie's boisterous best friend to her horrified prison penpal . . .
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