Four different facets of reality serve as staging points for Baek's video and installation art, examining real and imagined societal norms
This monograph on Korean artist Heaven Baek (born 1984) spans her early work to her recent practice, in which she questions the reality of video timelines and instant realities with a strong sense of immediacy, collective memory and staged reality.
Four different facets of reality serve as staging points for Baek's video and installation art, examining real and imagined societal norms
This monograph on Korean artist Heaven Baek (born 1984) spans her early work to her recent practice, in which she questions the reality of video timelines and instant realities with a strong sense of immediacy, collective memory and staged reality.