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This issue, let’s explore sounds and ideas that break with convention, from classic examples of gear misuse or manipulation to wild sound design and creative sequencing

WE LIVE IN an age of music making where it can be very easy to stick to conventions. Vast sample libraries, plugin presets and ready tutorials mean that, if you want to make a track in a certain style, it’s never too hard to access the resources you need. We’re not here to complain about that though; convenience is great. As much as some ‘traditionalists’ might tell you that presets are cheating and Splice is the devil incarnate, there’s nothing wrong with modern music tools. Making music should be easy and accessible. The problem, however, is that when the sounds and tools you need are readily accessible, it can avoid the need for creative workarounds. We’re talking about the ‘hacks’ and acts of misuse that have resulted in great sonic…

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Future Music (Digital) - 1 Issue, November 2023

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