Faded Reels: The Art of Four Cambodian Filmmakers, 1960-1975 brings to light the essential contributions to world cinema made by Cambodia's greatest pre war directors: Ly Bun Yim, Tea Lim Koun, Yvon Hem, and Uong Citta (Kanthouk). With in-depth plot summaries, stunning screenshots, and discussions of 16 rare Cambodian films, this book gives readers access to a largely undocumented period of Southeast Asian film history. A Cambodian cinema history for movie lovers and film scholars alike, Faded Reels includes detailed scene descriptions that feature the technical craftsmanship, innovation, complex storytelling, compelling characters, and beautiful cinematography of each director, while situating their biographies in the socio-cultural context of Cambodian history. Highlights include an exclusive interview with director Uong Citta, and chapters focusing on key films such as The Snake Man, The Twelve Sisters Story, Sovannahong, and Thavary Meas Bong. Extensively researched, this first analysis of the early Cambodian films is an addition to global cinema.
Faded Reels: The Art of Four Cambodian Filmmakers, 1960-1975 brings to light the essential contributions to world cinema made by Cambodia's greatest pre war directors: Ly Bun Yim, Tea Lim Koun, Yvon Hem, and Uong Citta (Kanthouk). With in-depth plot summaries, stunning screenshots, and discussions of 16 rare Cambodian films, this book gives readers access to a largely undocumented period of Southeast Asian film history. A Cambodian cinema history for movie lovers and film scholars alike, Faded Reels includes detailed scene descriptions that feature the technical craftsmanship, innovation, complex storytelling, compelling characters, and beautiful cinematography of each director, while situating their biographies in the socio-cultural context of Cambodian history. Highlights include an exclusive interview with director Uong Citta, and chapters focusing on key films such as The Snake Man, The Twelve Sisters Story, Sovannahong, and Thavary Meas Bong. Extensively researched, this first analysis of the early Cambodian films is an addition to global cinema.
