This critical edition of Winthrop's work, the first in over half a century, offers readers the original text with a narrative overview of the nature and culture of the Pacific Northwest and reflections on the ecological and racial turmoil that gripped the region at the time. It also provides a fresh perspective on the aesthetic, historical, cultural, anthropological, social, and environmental contexts in which Winthrop wrote his sometimes disturbing, sometimes enlightening, and always riveting account. Whether offering portraits of Native American culture--in particular, commenting on the Chinook Jargon--making keen and often prescient observations on nature, or deploying transcendental, animist, or Hudson River School aesthetics (likely learned from his friend Frederick Church), Winthrop develops a clear and compelling picture of a time and place still resonant and relevant today.
This critical edition of Winthrop's work, the first in over half a century, offers readers the original text with a narrative overview of the nature and culture of the Pacific Northwest and reflections on the ecological and racial turmoil that gripped the region at the time. It also provides a fresh perspective on the aesthetic, historical, cultural, anthropological, social, and environmental contexts in which Winthrop wrote his sometimes disturbing, sometimes enlightening, and always riveting account. Whether offering portraits of Native American culture--in particular, commenting on the Chinook Jargon--making keen and often prescient observations on nature, or deploying transcendental, animist, or Hudson River School aesthetics (likely learned from his friend Frederick Church), Winthrop develops a clear and compelling picture of a time and place still resonant and relevant today.