Autobiomythography of sifts through Nigerian stories and mythologies, both inherited and invented, to explore the self, family, and nationhood.
In an attempt at decolonization, it is an exploration of what it means to be a subject--a person, yes, but also a literary subject--in the wake and afterlife of colonization. Intimate and personal, it is interested in figuring out how to wrest subjectivity--one's notion of self--from this failed project of modernity.
Autobiomythography of sifts through Nigerian stories and mythologies, both inherited and invented, to explore the self, family, and nationhood.
In an attempt at decolonization, it is an exploration of what it means to be a subject--a person, yes, but also a literary subject--in the wake and afterlife of colonization. Intimate and personal, it is interested in figuring out how to wrest subjectivity--one's notion of self--from this failed project of modernity.
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