In his second book, Michael Earl Craig blurs the line between the documentary and imaginative impulses. The resulting poems mutilate pastoral myths--a man who has ignored horses his whole life but now wants to try touching one, or two gay donkeys and their uneventful lives on the high plains--but also pay tribute to the current-day West in which Craig lives.
In his second book, Michael Earl Craig blurs the line between the documentary and imaginative impulses. The resulting poems mutilate pastoral myths--a man who has ignored horses his whole life but now wants to try touching one, or two gay donkeys and their uneventful lives on the high plains--but also pay tribute to the current-day West in which Craig lives.
