Magzter Gold (Sitewide Promotion)

Magzter Gold (Sitewide Promotion)

Digital Delivery

The SciFi & Fantasy Art Book March 1st, 2016 Digital Back Issue Cover

The SciFi & Fantasy Art Book Magazine (Digital)

(1)

Single Digital Issue

The SciFi & Fantasy Art Book 4th Edition

$11.99

Powered By Zinio

Zinio

Satisfaction Guaranteed

Instant Start

Also available on ZINIO Unlimited logo

Get unlimited access to The SciFi & Fantasy Art Book Magazine (Digital) & 5000+ other magazines

1-month free trial

Renews at $8.99/month after trial.
Cancel anytime.

Get unlimited access to The SciFi & Fantasy Art Book Magazine (Digital) & 5000+ other magazines. Renews at just $8.99/month after trial. Cancel anytime.

Start Trial Learn more

28 Articles

Welcome to THE SCI-FI& FANTASY ART BOOK

One of the best things about sci-fiand fantasy-inspired art is the fact that there are no constraints, you don’t have to abide by rules or reality, you simply have to create. Whether your specialism lies in character creation, concept artwork, landscapes or fantastical creatures, the Sci-fi& Fantasy Art Book has something for you. Covering programs including Photoshop, ZBrush, Maya, 3ds Max, MODO and Blender, we delve into techniques and ideas with the help of expert artists. From building intricate characters and furry creatures to creating whole worlds from scratch, there’s plenty of advice to help better your artwork and further your field of vision and expertise. In this latest edition, find out how to use programs in conjunction with each other to produce beautiful designs, and get top tips on…

Welcome to THE SCI-FI& FANTASY ART BOOK

The rules of Fantasy Art

Fantasy and sci-ficoncept painting is one of the biggest sub-genres of digital art, and in order to be successful in this area, it pays to learn the rules of planning, composition and application. Artists who master this type of artwork will find their skills essential in the movie, videogame and entertainment industries, where the need to convey places and objects that don’t yet exist is common. Over these pages, we will be looking at the work of four amazing artists who have created awe-inspiring artworks on the digital canvas, from the likes of Martin Bland’s tech-macabre cyber cityscapes to Andreas Rocha’s sci-fiutopias. Dedication and practice count for much when achieving these styles, as well as natural artistic ability, but there are plenty of rules and methods that you can learn…

The rules of Fantasy Art

Create armoured sci-ficharacters Lukruk – The Thelarian Elite 2012

ZBrush Maya Artist Info Ben Erdt Personal portfolio site www.ben-erdt.de Country Netherlands Software used Maya, 3ds Max, MODO, ZBrush, MARI, NUKE, Photoshop Concepting and producing both hard-surface and organic models Lukruk is an armoured alien character I created as an exercise at Vancouver Film School. During this process you’ll get an insider’s view of his creation from inspiration to the final render. By the end of the steps you’ll have a full understanding of how Maya, MODO, ZBrush, MARI, Photoshop and NUKE can be used to achieve the final result. Find all of the tutorial files at filesilo.co.uk/bks-890. Lukruk was a very complex project from both a design and technical point of view, so here you can get a closer look at how to design and build complex characters with…

Create armoured sci-ficharacters Lukruk – The Thelarian Elite 2012

Render a superhero The Sentry 2015

Photoshop ZBrush Artist Info Daniel Bel Personal portfolio site www.artstation.com/artist/danibel Country Argentina Software used ZBrush, Photoshop Daniel worked for Raybite, ArchPartners, Gameloft and Plenty. He’s now Art Director and co-founder at Waypoint Studios. In this tutorial we will explain in just six steps the methods and techniques we can follow to present our figure in a more attractive way. We will show you in a simple and practical way how we should prepare our model so as to be able to texture it and then export it to our 3D platform for rendering, regardless of our main software. We will learn how to paint it by using masks, how to optimise the amount of polygons, create shaders, light our scene, and finally, touch up our render to generate an attractive…

Render a superhero The Sentry 2015

Design a Weta character The Satyr 2012

Photoshop ZBrush Learn how to Create a base for sculpting using ZBrush primitives and DynaMesh options Build up forms using simple brush combinations Pose a character using Transpose Master Build up the forms further Apply texture and detail Tackle composition Render for presentation Use rendered layers Finish with post-production Concept The aim of this tutorial is to create a fantasy satyr-type character. I want to create an overly stylised face for a fantasy genre that can be rendered realistically and create impact. Artist Info Andrew Baker Personal portfolio site www.andbakerdesignsblogspot.co.nz Country New Zealand Software used ZBrush, Photoshop Creating and conceptualising characters and creatures for physical and digital pipelines A bust or portrait is always a great place to start visualising a character. ZBrush enables us to conceptualise an idea to…

Design a Weta character The Satyr 2012

Render a cyberpunk character Pep Rally 2015

Photoshop ZBrush Today, we’re going to learn how to create a rebellious cyberpunk teenager from the not-so-distant future. The inspiration for this character came from a love of sci-fiand nostalgia for high school sports culture. The mixing of genres is a great way to explore new avenues for design. In this tutorial, you’ll learn how to take an image from 2D sketch to a fully realised piece. We will accomplish this with a variety of tools including ZBrush, 3ds Max, Marvelous Designer, Photoshop and KeyShot 5. Whether you’re an interested hobbyist, or an industry pro looking to learn a few new tricks, this step by step will show you how to take your work to the next level. Download all the tutorial files that you’ll need at filesilo.co.uk/bks-890. Artist Info…

Render a cyberpunk character Pep Rally 2015

Model and kitbash a mech Rocket Combat Mech 2015

Photoshop Painter In these steps we will give an overview of some of the main steps taken when building complex mechanical models from the idea to the finished product. We will explain the thoughts behind the choice of workflows and why we do things in our chosen order. The focus is on kitbashing and quick detailing, and how to avoid the pitfalls that normally come with these workflows. For example we will teach you to use kitbashing extensively while avoiding a repetitive look. We will also show you a process for quickly adding decals and custom text to our meshes. We mainly used MODO 901 and Photoshop for this model, but most of our steps are not program-specific and are adaptable to almost any workflow. Prepare to kitbash Block out…

Model and kitbash a mech Rocket Combat Mech 2015

Master magical manga effects The Blue Sorceress 2012

Photoshop Painter Artist Info Schin Loong Personal portfolio site www.schin-art.com I started drawing pretty girls after watching Sailor Moon as a child. Now I work as an illustrator in Las Vegas and try to draw more whenever I have the time. If I could have a magic power, I’d choose the power to implant the song The Final Countdown into my enemies’ heads. We all grew up with magic as children. Fairytales, nursery rhymes, cartoons and songs stir our imagination and every child has fantasised about having magical powers. But how do you portray such hidden powers in a painting? Japanese manga has been especially successful in this by manipulating colour, depth and special effects. The clean, simple lines of manga lend themselves well to magical effects because they provide…

Master magical manga effects The Blue Sorceress 2012

Create a mythical beast Fauno 2011

Intrigued by mythical creatures, I decided to create one as a personal 3D project. Over the next six pages I hope to share some of the techniques I used to produce this fictitious beast. For those who may be unfamiliar with this creature, the faun is a man with goat’s horns, ears, tail and legs referred to in Roman mythology and elsewhere. The subject presented a great challenge because there were many different elements to incorporate. I used 3ds Max, ZBrush, Photoshop and V-Ray to tackle the task, the techniques of which I’ll reveal here. Photoshop 3ds ZBrush s Max V-Ray Initial concepts From rough ideas to designing the model Artist Info Luiz Alves Personal portfolio site www.behance.net/kitoalves3D Country Brazil Software used 3ds Max, ZBrush, Photoshop, V-Ray Luiz is a…

Create a mythical beast Fauno 2011

Master the art of creature creation Terrorfish – Leviathan 2014

Learn how to Develop a creature concept from inspiration and reference images Model the monster’s head Block out the body Organise a large and complex model Keep details and colours consistent across a wide variety of objects Create Bump map layers using MARI Concept We’ve only explored a relatively small part of the sea, so I can only imagine what else might live down there. Due to my fascination with sea-life – especially deep-sea creatures – and inspired by monster myths, I wanted to create my own interpretation of a Leviathan beast. Artist Info Benjamin Erdt Personal portfolio site www.ben-erdt.de Country Netherlands Software used Maya, Modo, ZBrush, MARI, Photoshop Character and creature artist, utilising a range of techniques and styles This sea monster was created so I could practise creature…

Master the art of creature creation Terrorfish – Leviathan 2014

Create a furry creature concept The Wanderer 2015

Photoshop ZBrush In this project we are going to explore the workflow and method used to create a Lost Creature. We will be making this creature to help us make a central character as part of an illustration. This is an imaginary Lost Creature wandering the wild. The idea was to capture a moment in the life of this furry character, showing his curious and friendly side. A challenging thing about designing a character is to make it appealing, memorable and believable. As we sculpt this creature, we’ll make aesthetic decisions to give personality to our character. Based on a rough 2D sketch and using ZSpheres, we’ll quickly build a versatile base model of the creature. This will enable us to refine the character’s silhouette and proportions using layers. We’ll…

Create a furry creature concept The Wanderer 2015

Construct a luminescent, highgloss mech wolf Mech Wolf 2015

The main idea in this mech wolf tutorial is to understand key steps of a 3D concept production and develop a really fresh look for your model. We will lead you through a creative and natural 3D sculpting process in the first part of the tutorial. After that we will show you how to quickly create stunning details using next-gen Booleans with MeshFusion. The last part is dedicated only to the visual development. We will find a unique look for your mech using inspiring references and then using Photoshop, we will do some stunning postproduction work – repainting our reflections and adding smart accents to our final composition. We will explain which workflows will suit which parts best, whilst still staying loose by switching to different packages to apply their…

Construct a luminescent, highgloss mech wolf Mech Wolf 2015

Create creature-based action scenes Monster Versus Hero 2012

Photoshop Artist Info Ken Barthelemy Personal portfolio site theartofken.com Country Luxembourg Software used Photoshop I have been working as a professional freelance artist since 2011 but I started painting when I was able to pick up a pencil. Recently, I worked on the film The Maze Runner and sequel The Scorch Trials. The first thing you need to do in an effective monster-versus-hero action scene is to flesh out the composition. In order to do that effectively you need to understand the characters and creatures within it. The creature is the eye-catching element of this kind of painting so it’s important to have a good idea of what it will look like before you begin. How big is it? Where does it live and what does it eat? Is it…

Create creature-based action scenes Monster Versus Hero 2012

Make a fantasy landscape

Fantasy landscapes – or the environments in which fantasy takes place – are crucial to the genre’s success. They set the mood and they inform the audience about the world, as well as literally giving films and games a place to play out their narrative. The depth in terms of detail required largely depends on the project and can vary significantly. Films need digital mattes (extremely detailed and photo-real landscapes to stand behind the action) while games need interactive environments (so the character can cross that bridge or open that door). Digital artist Jonas De Ro (jonasdero.be) creates fantasy landscapes both as illustrations, and also as concept art for websites and the games industry. He notes that his work is “usually for illustrating or designing an environment. Basically that means…

Make a fantasy landscape

Key skills for sci-fiscenes

One of the wonderful things about science fiction is how much possibility it offers. It can feature humans, aliens or robots, it can be technological, utopian or apocalyptic and it can take place right here on earth or half a universe away. All it needs is something slightly different from the here and now of real life, sometimes known as the novum. This is the little piece of innovation (the science) that defines a world and kicks offa story (the fiction), and the reason why there is much more to sci-fithan meets the eye. Concept artist Jonas De Ro (jonasdero.be) says that one of the most interesting things about science fiction is that “even though we are many decades away from when the genre first originated, our concepts of possible…

Key skills for sci-fiscenes

Compose a spacescape Wayfarer 2011

Photoshop Artist Info Tobias Roetsch Personal portfolio site www.gtgraphics.de Country Germany Software used Photoshop Roetsch has been focusing on space and science fiction based images as long as he’s been doing art. Self-taught, he improves his skills step-by-step, with a lot of patience and effort. In this tutorial we will learn how to create a moody extraterrestrial landscape. All you’ll need is Photoshop and a good source of photography. The best way to ensure you get the perfect shot is to take it yourself, therefore it’s very helpful to have a DSLR, ensuring high-resolution quality in your resources. To get the necessary inspiration for your project, just take a walk outside. Another option is to use an image search; by searching for ‘mountains’, for example, you’ll get a variety of…

Compose a spacescape Wayfarer 2011

Sculpt an epic sci-fiterrain Secret place 2012

Photoshop ZBrush Learn how to Model sci-fielements Texture landscapes Light your scene effectively Concept The concept was initially created on a sheet of paper. I later took a photograph and continued working on it digitally. At first I thought it would be a horizontal work, but it turned out that it would look better in a vertical position. The idea for this project was to create an alien landscape. One evening I was making sketches on a sheet of paper when I came up with an idea of a deserted spaceship, or maybe only its engine. In fact, it looks like a skeleton of a gigantic, extinct animal. Was this animal specially adapted for the creation of a huge machine or was it a product of evolution? Or maybe it’s…

Sculpt an epic sci-fiterrain Secret place 2012

Design destructive cityscapes Awakening 2011

Photoshop Artist Info Vitaly S Alexius Personal portfolio site http://vs.darkfolio.com Country Toronto Using a graphics tablet and Photoshop, Vitaly creates digital paintings, graphic novels, CD covers and more. This guide is all about manipulating subjects and scenery into an evocative digital matte painting. More specifically, you’ll discover how to create a post-apocalyptic world using a combination of photography, stock, Photoshop, a graphics tablet and your drawing skills. The theme for this piece of work comes from Vitaly Alexius’s numerous urban-exploration trips, adventures with his wife, Meeshka, stock imagery, as well as original photography shot by Alexius himself. His primary inspiration comes from his journeys across the abandoned cities of Siberia, where he was born and lived for much of his life. To shoot your own stock you will need either…

Design destructive cityscapes Awakening 2011

Build fantasy architecture Blood Temple 2012

Photoshop Painter Artist Info Alexander Thümler Personal portfolio site alexander thumler Alexander is a self-taught concept artist and illustrator with a love for scif-fiwho studied design in Nuremberg. He does live paintings with an audience or on the internet via Livestream. In the field of entertainment design and illustration, you are almost always faced with the prospect of creating virtual worlds that include some kind of architecture, or even whole infrastructures. Whether it is science fiction art or a classic medieval fantasy image, from the very first second the person looking at this kind of illustration should be convinced that the world he or she is observing could actually exist. Even if there is magic going on or you can see floating buildings in the air, if the artwork contains…

Build fantasy architecture Blood Temple 2012

Create fantasy worlds Fantasy World 2011

Photoshop Artist Info Jennifer Cirpici Personal portfolio site www.breakingcanvas.com Country Netherlands Software used Photoshop Jennifer is a self-taught graphic designer and illustrator from the Netherlands. She studied graphic design, has worked for several big agencies like Saatchi & Saatchi and Leo Burnett, and is currently a freelance artist. What you will learn in this tutorial are several basic but essential techniques like blending, colouring and painting over a scene comprising multiple photos. This workshop is fundamentally inspired by the lush mountainous scenery in the movie Avatar. The Zhangjiajie Mountains, located in China, inspired the makers of Avatar to create the floating Hallelujah Mountains; they also inspired us and we used stock imagery of this range to create this artwork. We’ll go into how you can combine real and painted…

Create fantasy worlds Fantasy World 2011

Sci-fi from concept to render Bridge of the Automatons 2012

Light wave Photoshop Science fiction throws up challenges like no other genre, and it’s arguably one of the most popular areas of CG in the world thanks to special effects leading the way across blockbuster films and triple-A videogames. “Sci-fiis a huge opportunity to really try something new,” says Francesco Corvino, “if the story is set today or in the past, you always keep going back to an established set of references and your designs unavoidably take an ‘already seen’ look. However, when it comes to sci-fi, if you keep your ideas fresh and you don’t lose yourself in the usual vocabulary, then you can really invent a new language.” It’s the “vast range of tech, tone and mood,” that makes sci-fiappeal to Kurt Papstein too. “The shapes in science…

Sci-fi from concept to render Bridge of the Automatons 2012

Design a sci-fi interior Bridge of the Automatons 2012

Learn how to Design pre-layout Establish a point of view for the presentation Master the basics of subdivision modelling Define the importance of detailed design as opposed to clean, and vice versa Finish with post-production using Photoshop Cencept I always try to keep a strong shape theme throughout. I emphasise and change detailing where needed in order to guide the eye through the interior. Lighting is very important and can completely change the look of a design just by a simple light choice, colour, type, or placement, so it’s very important to always think about the lighting when building the model. It’s also very important not to cram an interior with so much stuffthat there is nowhere to move or see most of the interior, as the viewer needs to…

Design a sci-fi interior Bridge of the Automatons 2012

Master pro matte painting Steampunk Factory 2011

Photoshop Creating photoreal fantasy environments can be fun, but the process involves many a technique that you’ll need to master. Some digital artists use only photos and then paint over to create their mattes, whereas others use solely 3D software. Both methods have their pros and cons. With a purely 2D approach, using just photos can be tricky; factors to consider when pulling imagery together are perspective, lighting and image resolution. On the other hand, simply using 3D renders makes it more difficult to get photoreal results straight out of the box when rendered. In this tutorial we’ll show you how to combine photos and 3D renders for the best results. We’ll also be making use of Photoshop’s key filters and default brushes, as well as offering some insight into…

Master pro matte painting Steampunk Factory 2011

Paint sci-fi action scenes Alien Mecha Attack 2012

Photoshop Artist Info Mauricio Herrera Personal portfolio site el-grimlock. deviantart.com I have been painting digitally and working in the genre of fantasy for 20 years, always trying to bring it a traditional look. Comic books, movies and videogames are my greatest inspirations, and I particularly enjoy painting creatures. When starting an action-packed image, one of the best things that you can do is to make a gesture sketch. Gesture sketches are quick drawings, taking no more than five minutes, that don’t focus on being accurate but on capturing the mood and essence of a person or scene. This is particularly important when you want to create action in your painting because the lines and compositions you draw when you do quick sketches are full of energy themselves. You will need…

Paint sci-fi action scenes Alien Mecha Attack 2012

Create sci-fi weaponry Yana B3E Compact Assault Rifle 2013

Photoshop MODO Concept Here we’ll explore the workflow for producing a weapon concept using MODO. Though 2D applications are also used, we’ll demonstrate how you can produce effective concepts in 3D. Over the following pages we’re going to take a look at concepting distinctive sci-fi-style weaponry. To achieve the final look we’ll mainly be working with MODO’s modelling tools, before moving to Photoshop. During the steps I’ll cover the major stages used in my workflow when creating similar concepts for movies and videogames. I’ve chosen to focus on a prop – what I call the Yana B3E Compact Assault Rifle – because it embodies all the key components of the 3D concepting workflow. However, this same process can be applied to a vehicle, a robot, or even an entire environment…

Create sci-fi weaponry Yana B3E Compact Assault Rifle 2013

Produce comic book style renders No Place To Hide 2015

Photoshop 3ds Max V-Ray Artist Info Stefano Tsai Personal portfolio site www.stefanotsai.com Country United Kingdom Software used 3ds Max, V-Ray, Photoshop In this tutorial, 3ds Max and VRayToon will be used to teach readers how to render in a comic book style. We will use multiple VRayToon outline settings and also make the image much more interesting by adding layers with Photoshop filters. Without rendering, the difficult part is to find other interesting details for the image without losing the main focus. After all, you can’t make a good image without a focal point, so here we have to use the minimal elements to create the vitality for the scene. Download all the tutorial assets you’ll need from filesilo.co.uk/bks-890. Begin with functional elements Don’t be scared to start from nothing…

Produce comic book style renders No Place To Hide 2015

YOUR FREE RESOURCES

EVERYTHING YOU NEED TO FOLLOW THE TUTORIALS AND CREATE GREAT FANTASY ART REPLICATE ARTWORK FROM THE TUTORIALS Fantastic stock images for your library PACKED WITH FREE PREMIUM CONTENT YOUR BONUS RESOURCES ON FILESILO WE’VE PROVIDED FREE, EXCLUSIVE CONTENT FOR THE SCI-FI& FANTASY ART BOOK READERS, INCLUDING… • 32 aerial cityscape images • 50 human and animal reference images • 109 amazing abstract smoke art brushes • 1000 incredible Tech Ring brushes • All the tutorial files you’ll need to recreate the artworks featured in this issue Go to: http://www.filesilo.co.uk/bks-890/ FILESILO – THE HOME OF PRO RESOURCES Discover your free online assets A rapidly growing library Updated continually with cool resources Lets you keep your downloads organised Browse and access your content from anywhere No more torn disc pages to ruin…

YOUR FREE RESOURCES

HOW TO USE File Silo

To access FileSilo, please visit http://www.filesilo.co.uk/bks-890/ 01 Follow the on-screen instructions to create an account with our secure FileSilo system, or log in and unlock the issue by answering a simple question about the edition you’ve just read. You can access the content for free with each edition released. 02Once you have logged in, you are free to explore the wealth of content made available for free on FileSilo, from great video tutorials and online guides to superb downloadable resources. And the more bookazines you purchase, the more your instantly accessible collection of digital content will grow. 03 You can access FileSilo on any desktop, tablet or smartphone device using any popular browser (such as Safari, Firefox or Google Chrome). However, we recommend that you use a desktop to download…

HOW TO USE File Silo

In This Issue

Description

Details

Reviews

Recent Digital Issues Browse all

Recent The SciFi & Fantasy Art Book Digital Issues Browse all back issues

The SciFi & Fantasy Art Book Magazine (Digital) Subscription October 7th, 2015 Issue

The SciFi & Fantasy Art Book Magazine (Digital) The SciFi & Fantasy Art Book 3rd Edition: $11.99

The SciFi & Fantasy Art Book Magazine (Digital) Subscription November 13th, 2014 Issue

The SciFi & Fantasy Art Book Magazine (Digital) The SciFi & Fantasy Art Book Revised Edition Revised Edition: $11.99

The SciFi & Fantasy Art Book Magazine (Digital) Subscription December 18th, 2013 Issue

The SciFi & Fantasy Art Book Magazine (Digital) The SciFi & Fantasy Art Book: $11.99

Customers Also Viewed

INTERWEAVE KNITS HOLIDAY Magazine (Digital) Subscription

INTERWEAVE KNITS HOLIDAY Magazine (Digital)

2019: $14.99

The Independent Guide to the Apple iPad Air Magazine (Digital) Subscription November 28th, 2014 Issue

The Independent Guide to the Apple iPad Air Magazine (Digital)

The Independent Guide to the Apple iPad Air 2: $3.11

Celebrity Real Life Stories Magazine (Digital) Subscription September 9th, 2014 Issue

Celebrity Real Life Stories Magazine (Digital)

Celebrity Real Life Stories: $3.11

Taiwan Tatler Society Magazine (Digital) Subscription

Taiwan Tatler Society Magazine (Digital)

2019: $2.99

World's most incredible tattoos 4 Magazine (Digital) Subscription March 1st, 2013 Issue

World's most incredible tattoos 4 Magazine (Digital)

World's Most Incredible Tattoos 4: $5.20

The 3D Art & Design Annual Magazine (Digital) Subscription December 14th, 2017 Issue

The 3D Art & Design Annual Magazine (Digital)

Vol 3: $11.99

The Hacker's Manual Magazine (Digital) Subscription October 25th, 2012 Issue

The Hacker's Manual Magazine (Digital)

The Hacker's Manual 2012: $7.28

The Photoshop CS6 Book Magazine (Digital) Subscription August 14th, 2013 Issue

The Photoshop CS6 Book Magazine (Digital)

The Photoshop CS6 Book Revised Edition: $11.99

The Ultimate Blackberry Guide 3rd edition Magazine (Digital) Subscription May 25th, 2011 Issue

The Ultimate Blackberry Guide 3rd edition Magazine (Digital)

The Ultimate Blackberry Guide 3: $6.24

The 2012 iPad Handbook Magazine (Digital) Subscription September 11th, 2011 Issue

The 2012 iPad Handbook Magazine (Digital)

The 2012 iPad Handbook: $9.99

INTERWEAVE KNITS HOLIDAY Magazine (Digital) Subscription

INTERWEAVE KNITS HOLIDAY Magazine (Digital)

2019: $14.99

The Independent Guide to the Apple iPad Air Magazine (Digital) Subscription November 28th, 2014 Issue

The Independent Guide to the Apple iPad Air Magazine (Digital)

The Independent Guide to the Apple iPad Air 2: $3.11

Celebrity Real Life Stories Magazine (Digital) Subscription September 9th, 2014 Issue

Celebrity Real Life Stories Magazine (Digital)

Celebrity Real Life Stories: $3.11

Taiwan Tatler Society Magazine (Digital) Subscription

Taiwan Tatler Society Magazine (Digital)

2019: $2.99

World's most incredible tattoos 4 Magazine (Digital) Subscription March 1st, 2013 Issue

World's most incredible tattoos 4 Magazine (Digital)

World's Most Incredible Tattoos 4: $5.20

The 3D Art & Design Annual Magazine (Digital) Subscription December 14th, 2017 Issue

The 3D Art & Design Annual Magazine (Digital)

Vol 3: $11.99

The Hacker's Manual Magazine (Digital) Subscription October 25th, 2012 Issue

The Hacker's Manual Magazine (Digital)

The Hacker's Manual 2012: $7.28

The Photoshop CS6 Book Magazine (Digital) Subscription August 14th, 2013 Issue

The Photoshop CS6 Book Magazine (Digital)

The Photoshop CS6 Book Revised Edition: $11.99

Reviews

1

0

0

0

0

Ask a Question

Click stars to rate

Please select a rating for the review.

Please enter title for the review.

Please enter content for the review.

Please enter order number.

Please enter your first name and last name.

Only letters allowed for first name and last name.

Please enter your email.

Upload photo

Cancel Submit

Processing...

Thank you for your feedback! Your review has been submitted and will be published soon.

OK

Be the first to ask a question about this product

Please enter content for the question.

Please enter at least 10 characters.

Your question can not be more than 150 characters.

Please enter your first name and last name.

Only letters allowed for first name and last name.

Please enter your email.

Submit Processing...

Thank you for your question! Your question has been submitted and will be published soon.

Answer this question

Please enter content for the answer.

Please enter at least 10 characters.

Please enter your first name and last name.

Only letters allowed for first name and last name.

Please enter your email.

Submit Cancel Processing...

Thank you for your answer! Your answer has been submitted and will be published soon.

OK

×