Magzter Gold (Sitewide Promotion)

Magzter Gold (Sitewide Promotion)

Digital Delivery

Rolling Stone Australia February 1st, 2018 Digital Back Issue Cover

Rolling Stone Australia (Digital)

(Write a Review)

Single Digital Issue

February 2018

$3.88

Powered By Zinio

Zinio

Satisfaction Guaranteed

Instant Start

Also available on ZINIO Unlimited logo

Get unlimited access to Rolling Stone Australia (Digital) & 5000+ other magazines

1-month free trial

Renews at $8.99/month after trial.
Cancel anytime.

Get unlimited access to Rolling Stone Australia (Digital) & 5000+ other magazines. Renews at just $8.99/month after trial. Cancel anytime.

Start Trial Learn more

67 Articles

Malcolm On Top THERE’S NO DENYING THAT Malcolm Young made for one of the best ROLLINGSTONEcovers in recent years, but I can’t help but question your decision to put Malcolm on the cover over his brother George. The Easybeats had arguably more historical relevance than any other Aussie rock band. Not to mention he was also a driving force behind AC/DC as well as his own band. Barry Pence Cowra, NSW WOW! THE OBITUARIES FOR George and Malcolm Young were just gobsmacking. The photos are amazing – you have captured them well. I love reading the articles on Australian musicians. Anna M Brisbane, Qld As the Days Go By GREAT WORK ROLLING STONE on Darryl Braithwaite‘s Living Legend article. [RS 794] He’s a real nice guy, having met him backstage…

ROLLINGSTONEAUS.COM

LISTS BIG IN 2018 Extended ‘Hot List’ interviews with the musicians, movie stars and more set to shape the year ahead. AWARDS GOLDEN GLOBES: WINNERS & LOSERS Our live coverage and post-event takeaways from the 75th Golden Globe Awards. INTERVIEW THE RETURN OF TOTAL CONTROL We chat with the beloved Melbourne post-punks about their surprise new EP Laughing at the System. MUSIC NEWS, AROUND THE CLOCK Get breaking music news from ROLLING STONE’s award-winning staff of writers and reporters 24 hours a day, 365 days a year at RollingStoneAus.com RS LIVE IN THE OFFICE FOLLOW US ON >…

ROLLINGSTONEAUS.COM

A Top Five Moment Double J’s Zan Rowe had a pinch-yourself moment during Paul McCartney’s Aussie tour, when he dropped a surprise interview into his schedule, picking his top five tracks for Rowe’s popular Take 5 podcast. Number one? “Blackbird”, with a surprising back-story. ARE YOU EXPERIENCED? Bono and Adam Clayton of U2 hung out at London’s EMA Awards. The band will begin its Experience + Innocence Tour in May. HAMISH AND ANDY DUK OUT Hamish and Andy bowed out of their radio careers in high style, playing Margaret Court Arena in Melbourne with their band Cool Boys and the Frontman (featuring Vance Joy) and supported by Peking Duk. Same Love 2018 Cub Sport couple Tim Nelson and Sam Netterfield have been engaged since last June and are looking forward…

2017 ALBUMS OF THE YEAR

1 Kendrick Lamar DAMN. Rap’s most powerful voice at the absolute top of his game, with nothing left to provebuthisstayingpower.Lamar’s2015 watershed To Pimp a Butterfly was a brilliant hip-hop therapy session, exploding with quick-change flows, warped introspect and kaleidoscopic beats. The chart-topping DAMN. is his bare-knuckled MC blowout, just as potent but hitting with more immediate impact. He brushes off haters on “YAH.” (“Fox News wanna use my name for percentage”), then dives deeper, musing on family and referencing the Bible. On “FEEL.” he unloads his head over a trippy slow jam, going roughly 50 lines without break on one breathless stretch, a virtuoso synaptic display that’s dense without becoming impenetrable, thanks to Lamar’s feel for flow and hooks. The single “HUMBLE.” is a tour de force, packed with punchlines…

2017 ALBUMS OF THE YEAR

REISSUES OF THE YEAR

Trouble No More Bob Dylan The 13th instalment of Dylan’s Bootleg Series, covering his rocky passage through evangelical Christianity between 1979 and 1981, confronts the hardened judgment on that era – that his turn in faith and censure lacked nuance, charity and groove – with an emphasis on the contrarian vigour and evolving force of that righteousness in soundchecks, rehearsals and touring. A full June 1981 concert in the nine-disc edition, as Dylan gradually returned to his secular songbook, affirms the constancy from “Blowin’ in the Wind” to “Gotta Serve Somebody”. Sgt. Pepper’s Lonely Hearts Club Band The Beatles Fifty years on, this much is undeniable: Sgt. Pepper was a perfect synchronicity – the biggest pop band in the world with an unlimited licence to thrill, in the Sixties’ most…

REISSUES OF THE YEAR

SINGLES OF THE YEAR

1 Harry Styles Sign of the Times Styles’ first post-One Direction solo single was a shock – an eccentric piano ballad stretching to nearly six minutes, aiming for Bowie/Queen levels of glam grandeur, with the singer hitting heavenly high notes as he broods on death and rebirth. The reckless ambition of the song is only part of what’s brilliant about it. The confidence and empathy in his voice just keep surging as the music builds. Styles was the only rock star all year (Bono excepted) to aim for such a giant-hearted sound. A high-risk move for a former boy-band star – but he made it feel real. 2 Lorde Homemade Dynamite Lorde had an astounding breakthrough with Melodrama, but “Homemade Dynamite” is her shattering peak, a nervously sexy synth-pop thriller…

SINGLES OF THE YEAR

1 Twin Peaks: | The Return Stan Agent Dale Cooper lives. So does Audrey Horne. And so, for that matter, does David Lynch, who revisits his legendary TV cult favourite and goes back to the haunted Pacific Northwest town he left behind in 1991. Twin Peaks: The Return could have been just a sentimental rehash – getting the old band back together one more time. But Lynch doesn’t merely live up to the original, he completes it, in a shocker nobody could have seen coming. This ghost town is full of familiar faces – Kyle MacLachlan, Laura Dern, Sherilyn Fenn, Trent Reznor – and new ones. We see actors who died soon after filming their scenes (R.I.P., Log Lady), and some who died later, like the late, great Harry Dean…

MOVIES OF THE YEAR

1 Dunkirk In the year’s best film, Christopher Nolan shows us the meaning of pure cinema, depicting the 1940 evacuation of British soldiers from the French beaches of Dunkirk as Hitler’s forces attempt to crush them by land, sea and air. Instead of telling us what to think, Nolan offers full immersion in the life-or-death experience of being there, prey to the whims of a dictator and still fired up with the will to resist. 2 Get Out Can a horror film get in the Oscar race for Best Picture? Bet your ass. Daniel Kaluuya doesn’t know what he’s in for when his girlfriend (Allison Williams) takes him home to white suburbia, but black culture isn’t the only thing being co-opted. In the year’s most exciting directing debut, Jordan Peele…

MOVIES OF THE YEAR

BOOKS OF THE YEAR

Dreaming the Beatles Rob Sheffield Veteran ROLLING STONE critic Sheffield’s exploration of the Beatles’ impact across the decades is one of the most original and insightful books ever written about the Fab Four. He’s brilliant on everything from George Harrison’s disastrous 1974 solo tour to the Bee Gees’ Sgt. Pepper’s movie. “The world keeps dreaming the Beatles,” Sheffield writes, “long after the Beatles themselves figured the dream was over.” Meet Me in the Bathroom Lizzy Goodman A fast-paced oral history of the early-’00s New York rock scene that produced the Strokes and Yeah Yeah Yeahs, among others. Goodman hung out at the time with many of its biggest stars, so there’s an unguarded intimacy as she details events like Strokes guitarist Albert Hammond Jr.’s descent into drug abuse. “We were…

BOOKS OF THE YEAR

THERE IS A REMARKABLE scene early in Eric Clapton: Life in 12 Bars, the new Show-time documentary about the guitarist’s career, that sums up his meteoric rise as a British-blues prodigy and worldwide superstar: Bob Dylan in a London hotel room in 1965 watching John Mayall’s Bluesbreakers on TV and raving over that band’s guitarist – Clapton, then barely out of his teens. “I still can’t believe that’s real,” Clapton says, laughing in a New York hotel lobby the day after a screening. “I thought, ‘Oh, that must be Photo-shopped.’” Life in 12 Bars also has extraordinary footage of Clapton with Cream, revealing interviews with the women in his life and painfully frank sequences on his battles with heroin, alcohol and the accidental 1991 death of his young son, Conor,…

Fall Out Boy’s Midlife Crisis

PATRICK STUMP WAS LISTENING to Fall Out Boy’s almost-complete seventh album, Mania, in July when he realised there was a major problem: It wasn’t very good. “It freaked me out,” the singer says. “I was like, ‘I don’t think this is something the four of us will like, I don’t think it’s something the label is going to like. It doesn’t sound like Fall Out Boy. Oh, God, I can’t turn this in.’” Stump told bassist Pete Wentz, who felt the same way; they decided to push the album back to January, even though they’d already committed to an American arena tour in the autumn to support it. The episode was the first major snafu Fall Out Boy had seen since 2013. Back then, after a four-year breakup, they returned…

Fall Out Boy’s Midlife Crisis

Orchestral Evanescence

In 2003, Evanescence burst onto the scene with “Bring Me To Life”, the first single off what would become their multi-platinum debut album, Fallen. A slice of Goth-drama-meets-arena-metal, one of its key moments is a rap midway through – a rap that founder, frontwoman and driving creative force Amy Lee hated. “In the beginning a lot of people told us what to do, I didn’t have control of everything,” she explains down the line from Chicago. “I definitely fought that rap really hard. I was crying in the studio when we were doing it because I felt like our first moment out was showing people a picture of us that was slightly distorted.” Fourteen years on, Lee was able to take the song back courtesy of Synthesis, an album of…

Orchestral Evanescence

Rock’s Surprise Heroes

THE FIRST COLD NIGHT OF November in Portland, Oregon, found John Gourley and Zach Carothers of Portugal. The Man in a familiar position: in a maroon Ford E350 van, Carothers driving, Gourley in the back. Nine years ago, after the van they’d been touring in shot its transmission for the fifth time, they bought this one used and have logged 217,000 miles since, enough to crisscross the country more than 77 times. During that time, PTM built themselves up from alt-rockers with a debt to Bowie and Pink Floyd and whatever else was handy to this year’s biggest crossover band, with a U.S. Top Five single, “Feel It Still”, that references everything from Motown to the Black Panthers and “(You Gotta) Fight for Your Right (to Party!)”. Their breakthrough album,…

Rock’s Surprise Heroes

Ronnie Wood’s Still Life

BEFORE RONNIE WOOD WAS A GUITARIST IN THE FACES AND THE ROLLING Stones, he was a painter: He attended art school in London and worked as a sign writer for shops as a teenager. He never gave it up, sketching scenes from his 50-year rock & roll life, including friends like Bob Dylan and touring with the Stones. (He still makes colourful set lists before gigs. “It’s a little exercise for me to get away from the madness for a bit,” says Wood.) He has exhibited and sold his work for years, but compiled it in a book for the first time in Ronnie Wood: Artist. Some images date to the early Sixties, including drawings of horses and his early jazz heroes. The Stones, he says, often “beg for a…

Ronnie Wood’s Still Life

Timbaland Comes Back From the Brink

TALK TO ANY OF TIMO- thy “Timbaland” Mosey’s friends, and you’ll hear the same thing: that just a couple of years ago he was a totally different man. They’ll tell you that he had lost his way, becoming depressed, overweight and contemptuous of the severely minimal beats that fuelled hits by new artists like Future and Migos. He hadn’t had a major success since Beyoncé’s 2013 self-titled LP; his marriage was faltering; and his closest industry friends, the producers Pharrell Williams and Swizz Beatz, were concerned enough that they were checking in to give him pep talks. “I felt like I wasn’t committed, I was riding off ego,” says Timbaland, 45, looking back. “It was really about me neglecting my gift. As a producer and a soundmaker, I had to…

Timbaland Comes Back From the Brink

Inside Miguel’s Political Awakening

ON A DESERT ROAD NORTH OF L.A. in October, Miguel stands across from the Adelanto Detention Facility, home to nearly 2,000 federal immigration detainees awaiting deportation or hearings about their status in the U.S. The private, for-profit detention centre has been plagued by accusations of sexual assault by guards; three inmates have died there in the past year – not to mention multiple hunger strikes and suicide attempts. (“Our company strongly refutes these allegations,” says a representative for the facility.) Miguel tells a crowd of press and fans he’s come to “shed light on the situation”. “People are being deported and held in these places, private facilities that are really jails,” he says to ROLLING STONE. “It’s fathers, mothers, it’s people who are contributing to society. It’s pretty fucked up,…

Inside Miguel’s Political Awakening

What’s the best advice you’ve ever received? Get out of your own way. Ego is a killer. What does religion or spirituality mean to you? Spirituality is crucial. It is a very simple thing. You have to give the world back to the world. It is the law that I abide by. You get out of life what you put in. You put flop in, you get flop out. You put in love, you get out love. What are the best and worst parts of success? You’re like, “Fuck, this started supercheesy, get to the jokes.” The best part is your dreams come true. The worst part is that your dreams come true and you realise it ain’t going to fill that hole. It’s the ego, dude! Ego is the…

A Fan’s Notes

2017 NOW BEHIND US, WE CAN EVALUATE how well we did. What was the good about it? Plenty. Australia decided that same sex marriage is the law of the land. Life is short and Australia is a great place and now more people can be happy. Rather than wonder what took so long, maybe it’s better to enjoy the victory and look for the next thing to upgrade in 2018. Another good thing, this time from America: the Civil Rights Museum of Mississippi opened last month. American history has some of the most heartbreaking chapters of brutality and inhumanity to be found in any “first world” country. Some of the most horrific examples happened in Mississippi. The fact that the state has summoned the courage to put the stories of…

The singer-songwriter’s latest album, Modern Burdens, features new recordings of songs from her 1996 debut, The Burdens of Being Upright. Liz Phair “Fuck and Run” This song made me want to stop and write about real things. I realised you could have conversational lyrics and a good melody. Guided by Voices “I Am a Scientist” Robert Pollard is talking about self-discovery as a grown-up. The low-fi sound inspired me to try something similar. My Bloody Valentine “Only Shallow” I remember laying on my back with my friend, stoned, and listening to this. We could visualise the sounds coming at us on a conveyor belt. It’s superatmospheric. Tom Waits “A Little Rain” I love a good, sad, rainy-day song, but this one takes the cake. The line “a little rain never…

“N.E.R.D. and Pharrell are tapped into something else right now.” The First Song I Loved Thin Lizzy Jailbreak, 1978 “I would go downstairs when my parents were still asleep on the weekends, and pull [Live and Dangerous] out and put the needle on and listen to that with headphones on. I would just listen to that record over and over again. It was badass. So tight, so much groove. And the song is so offbeat and so crazy and so lean. I remember that really capturing my imagination.” The First Song I Played on Radio Deftones Feiticeira, 2000 “I was given a show [on XFM in London] and I asked, ‘Please, it’s my first ever real show in my own name, let me kick my time off with my own…

Joey Ramone’s Pit Stop

‘This photograph of Joey Ramone came about in December of 1993 as CBGB’s was celebrating its 20th anniversary with several weeks of special performances by various artists including the Cramps, the B-52’s, the Damned, J Mascis of Dinosaur Jr. and many others,” recalls Ebet Roberts. “That particular night Evan Dando of the Lemonheads was performing, and I went down in the afternoon to take some photographs of him at soundcheck. There was an event going on related to the anniversary and I ran into Joey and asked him if he was up for doing some photos. We started shooting in the dressing room when Joey suggested it would be fun to take some photographs in the men’s bathroom. The notoriously funky bathrooms at CBGB’s were downstairs, and the men’s room…

Joey Ramone’s Pit Stop

Winning Slowly Is the Same as Losing

IF WE DON’T WIN VERY QUICKLY ON CLIMATE CHANGE, then we will never win. That’s the core truth about global warming. It’s what makes it different from every other problem our political systems have faced. I wrote the first book for a general audience about climate change in 1989 – back when one had to search for examples to help people understand what the “greenhouse effect” would feel like. We knew it was coming, but not how fast or how hard. And because no one wanted to overestimate – because scientists by their nature are conservative – each of the changes we’ve observed has taken us somewhat by surprise. The surreal keeps becoming the commonplace: For instance, after Hurricane Harvey set a record for American rainstorms, and Hurricane Irma set…

Winning Slowly Is the Same as Losing

The Future Is Now

Billie Eilish SOUNDS LIKE: Dirty, electronic pop with hip-hop beats and the odd jazz chord. It’s cool, but never exclusive. FOR FANS OF: Solange, Ella Vos, SZA WHY YOU SHOULD PAY ATTENTION: Growing up in L.A. with two creative parents, there was never much question that 16-year-old Billie Eilish would become a performer. “It was almost like an animated movie about a music family; like whenever we’re in the car, someone starts singing something and someone else joins in, and someone starts tapping the wall with some rhythm.” Eilish’s influences began with her dad’s mixtapes (Linkin Park, Avril Lavigne and the Beatles) and the music her brother and co-songwriter, Finneas, listened to as a teenager (Green Day, My Chemical Romance and Lana Del Rey), but it was hip-hop that, at…

The Future Is Now

Tiny Little Houses

SOUNDS LIKE: Indie pop-rock with a twist of punk and a splash of millennial curiosity. FOR FANS OF: The urgency of Violent Soho, the vibe of Nineties indie-rock, and lyrics of generational questioning and critique WHY YOU SHOULD PAY ATTENTION: Starting out three years ago as a solo venture by frontman Caleb Karvountzis, Tiny Little Houses have grown from a Soundcloud collaboration between Karvountzis and guitarist Sean Mullins into an established band (completed by bassist Al Yamin and drummer Clancy Bond). Having released two EPs and received Triple J and FBi radio play with single “Entitled Generation”, their debut album Idiot Proverbs serves up commentary, questioning, and a dose of reality about life as a twenty-something. Witness the lyrics to “Entitled Generation”: “I’m 25 and still not living out of…

Tiny Little Houses

SOUNDS LIKE: An introverted Seventies-era singer-songwriter’s mellow musings brought into the present day with squelchy electro-synths. FOR FANS OF: Death Cab For Cutie, Passenger, Vance Joy WHY YOU SHOULD PAY ATTENTION: He released two of his biggest songs to date back in 2015 – the spare and apologetic breakup single “I’ll Be Good” and his duet with Phoebe Ryan “We Won’t” – to a combined streaming total of more than 80 million. Last year’s debut LP, Feel Something, shows him to have serious musical range. The Seattle-bred 27-year-old›musician deftly manoeuvres between slick electro-pop (“Sugar Burn”), dance floor drops (“Naked”) and hip-hop beats (“Two People”). Raised on angst-ridden singer-songwriters like Elliot Smith, Ben Gibbard and Eddie Vedder, Young was a “depressed loner” before picking up a guitar at age 13. “When…

SOUNDS LIKE: Soulful R&B duets over soothing electronic soundscapes FOR FANS OF: Phantogram, Crystal Castles, Chvrches WHY YOU SHOULD PAY ATTENTION: This Canadian duo’s career was given an extra push when they were discovered through Toronto non-profit the Remix Project. Jayli and Hayden Wolf grew up on opposite sides of British Columbia, but their lives were similar. Both were raised as Jehovah’s Witnesses and didn’t cross paths until they were leaving the religion, meeting through mutual friends and later connecting while trying to launch their individual music careers. “Our whole childhood past was so similar that we bonded instantly,” Hayden recalls of their immediate connection. As they began collaborating, they realised that their romantic and musical spark was undeniable and decided to take their relationship and joint career seriously. THEY…

SOUNDS LIKE: Fired-up anthems for the Brexit generation to lose their minds to FOR FANS OF: Early Arctic Monkeys, Jamie T, Liam Gallagher’s accent WHY YOU SHOULD PAY ATTENTION: Dominic “Yungblud” Harrison moved from his northern England home of Doncaster to London as a 16-year-old in search of his musical dreams. All he found was disappointment as he chased the sounds on the radio: “I thought, ‘Bieber’s doing that, [Shawn] Mendes is doing that, that must be working, I’ll just flutter my eyelashes and wink at some girls and it’ll be fine.’” Only it wasn’t. Disillusionment soon set in, and he was forced to take a step back and reassess his priorities. “I was always enthralled with chaos and mayhem,” he says of the sounds he adored growing up, “and…

SOUNDS LIKE: Boundary-less dance music that bangs FOR FANS OF: Flying Lotus, Shlohmo, Machine-drum WHY YOU SHOULD PAY ATTENTION: Since she first broke through with her debut album Midnight Menu in 2010, TOKiMONSTA – aka Los Angeles native Jennifer Lee – has grown to become one of the most essential voices in dance music. Her live sets and mixes have always eschewed genre boundaries – you’d be just as likely to hear an Aphex Twin cut as you would a hip-hop sample – but new album Lune Rouge sees Lee make a concerted effort towards sonic cohesion, with a distinctive pop inflection. Lune Rouge’s origins are dark: in early 2016, Lee underwent life-saving surgery for a rare brain disease called Moyamoya. Recovery from surgery was arduous, and not only did…

SOUNDS LIKE: The sweet spot of a Sixties-tinged summer hit FOR FANS OF: The Beach Boys, Rooney, Weezer WHY YOU SHOULD PAY ATTENTION: Long Island-based musician Ryan Camenzuli writes infectious, abrasive yet melodic indie-pop with a framework that is constructed with precise multi-part harmonies and surf rock guitars. His debut album On Human Freakout Mountain conveys the earnestness of someone going through and trying to document the coming-of-age experience. HE SAYS: “I felt like I was always very reserved in being open about things and being myself in a lot of ways. I think once I broke that barrier, it started getting so much easier for me to open up and be truthful,” says Camenzuli. “Once that started happening, and I started writing more honestly, I let me be me.…

SOUNDS LIKE: A cinematic melange of Eighties New Wave, quiet storm and goth-pop. FOR FANS OF: The xx, Broken Bells, Beach House WHY YOU SHOULD PAY ATTENTION: A little over a year ago, Los Angeles trio Lo Moon posted a seven-minute slice of dream pop, “Loveless”, to the internet. It found the ears of Pharrell Williams and ex-Death Cab for Cutie guitarist Chris Walla, and the song is closing in on a million YouTube streams. Frontman Matt Lowell, a Berklee grad, wrote the falsetto-filled number about five years ago while trying out different genres in New York as a singer-songwriter. “It’s the first song I felt really excited about,” he says. Lo Moon have since released two more tracks, “Thorns” and “This Is It”. The latter was a Top 20…

SOUNDS LIKE: A dream-like collage of internet memes and self-awareness set to pixelated synthesizer pop FOR FANS OF: Gorillaz, Avalanches, the Go! Team WHY YOU SHOULD PAY ATTENTION: The eight-person collective based in London has received plaudits from Frank Ocean, Queens of the Stone Age’s Josh Homme, Vampire Weekend’s Ezra Koenig and others curious about the retro-futuristic aesthetic of “Something for Your M.I.N.D.” Their lead vocalist, Orono, is a 17-year-old from Japan who used to write Katy Perry fan fiction and learned to play guitar watching Koenig’s “A-Punk” instructional video on YouTube. Lyrically, she fills Superorganism’s forthcoming debut – arriving via Domino in early 2018 – with a running commentary rivalling Courtney Barnett’s clever observations on the everyday. “I’m out of touch and I don’t know what’s going on, except…

SOUNDS LIKE: The self-described “Hannah Montana of rap” tackles the tribulations of teen mundanity with a blend of hazy hip-hop and assertive, gloss-pop. SOUNDS LIKE: SOPHIE, Anna of the North, Vera Blue WHY YOU SHOULD PAY ATTENTION: In 2015, while attending a concert by Melbourne MC Allday, then-16-year-old Grace Shaw “had a vision that I would be supporting him on a tour”. Days later the Brisbane rapper-slash-singer was skipping high school to “muck around” with music, quickly graduating from her own “not very polished” GarageBand productions to licencing beats over Facebook. Soundcloudshared first effort, “Suicide Blonde”, paired a fly-on-the-wall account of a friend’s slow slip into depression with a thumping, club-ready trap beat from Adelaide’s Tigerilla, and was swiftly followed up by “Sunglasses”, a snarling, nursery-rhyme square-up of copycat culture.…

HE’S THE ZELIG OF AUSTRALIAN rock. In 1971 Ross Wilson’s band Daddy Cool released what was then the biggest selling local album of all time in Daddy Who? Daddy Cool. That was overtaken by Skyhooks’ Living in the 70’s, which he produced. And that was usurped by John Farnham’s Whispering Jack, which contained “A Touch of Paradise”, a song he co-wrote. Then there’s Mondo Rock, his Eighties group that is being celebrated with The Complete Anthology and the reissue of their catalogue. As the band prepares to tour Australia in June, 70-year-old Wilson jokes that he’s ready for the spotlight: “My wife told me I should start dyeing my hair again, so I obeyed.” Do you remember the first gig you ever saw? I do. It was early 1958, I…

THE ARCHITECT OF TOMORROW

IT’S MID-AFTERNOON ON a Friday at SpaceX headquarters in Hawthorne, California, and three of Elon Musk’s children are gathered around him – one of his triplets, both of his twins. Musk is wearing a grey T-shirt and sitting in a swivel chair at his desk, which is not in a private office behind a closed door, but in an accessible corner cubicle festooned with outer-space novelty items, photos of his rockets, and mementos from Tesla and his other companies. Most tellingly, there’s a framed poster of a shooting star with a caption underneath it that reads, “When you wish upon a falling star, your dreams can come true. Unless it’s really a meteor hurtling to the Earth which will destroy all life. Then you’re pretty much hosed, no matter what…

THE ARCHITECT OF TOMORROW

NOEL GALLAGHER HAS JUST rushed back from his son’s Christmas concert to make this interview on time, and his review of the primary schoolers’ musical efforts is a stark reminder of Gallagher’s penchant for telling it like it is. “They were a bit out of time,” he deadpans. It’s no real surprise that Gallagher’s own children, who by all accounts are his pride and joy, aren’t safe from his “truth bombs”. With the new Noel Gallagher’s High Flying Birds album Who Built the Moon? topping the UK charts, not even the recent release of his estranged brother Liam’s solo album can shake Gallagher’s optimistic mood. You worked with electronic musician David Holmes as a producer on Who Built the Moon? . What was it that made you…

THE BOY NEXT DOOR

THE FIRST TIME JAMES KEOGH WALKED onstage he was 10 years old, and dressed as Prince Charles. His dad had given him some prosthetic ears, and in front of his peers and their families at St Patrick’s Primary School in the Melbourne suburb of Murrumbeena he did his best impersonation of the first-in-line to the throne. “I think it went down well,” he reflects today. “At least my parents told me it did.” A year later, and the boy who’d eventually play music under the monicker Vance Joy was at it again, but this performance brought with it a revelation. “It was our Year 6 play at an all boys’ school, The Emperor’s New Clothes, and I was the queen. I got to wear this big flowing dress and I…

THE BOY NEXT DOOR

ALBUM: UNDERWORLD “I FEEL LIKE NO ONE’S EVER TRUSTED MY IDEAS UNTIL NOW.” RELEASE: JANUARY 12 WHEN YOU LOOK AT TO- night Alive’s successes both at home and abroad – the Sydney outfit enjoyed ARIA Top 10 debuts, major label backing, sold-out tours and coveted festival slots – it’s easy to see why vocalist Jenna McDougall looked like she had it made. An inspirational musician in her own right, she was navigating a persistently masculine industry with what seemed like a perennially sunny disposition. But at a crucial time in her life she found herself bombarded by a chorus of voices that weren’t her own. For the better part of a decade, McDougall learnt first-hand what it was like to have middle-aged label execs commenting on everything from Tonight Alive’s…

ALBUM: TBC RELEASE: TBC SYDNEY INDIE POP KINGS DMA’S wasted no time starting work on the follow-up to 2016 debut Hills End, setting up camp with the Presets’ Kim Moyes in their H.Q. above the Lady Hampshire Hotel in Sydney. Album two promises to be a different record to their rough-hewn debut. “We’re just getting the final mixes back,” says guitarist Johnny Took. “It’s really exciting. For years we’ve been doing that washy, Nineties lo-fi guitar thing. It happened organically because Hills End was recorded in my bedroom, but I think that sound is done now.” Took thinks the rough edges on Hills End inspired them to reach further on their follow-up, especially as the songs from their debut sounded “so much bigger [live] than they did on the record”.…

ALBUM: TBC RELEASE: TBC “With the EP going so crazy, it’s meant every day there’s something on, so finding time has been the hardest thing,” says Dean Lewis of recording his debut album. The Sydney singer had a giant 2017, with his debut single “Waves” going triple platinum in Australia, being streamed more than 45 million times, and used in high profile TV shows such as Suits and Riverdale. When not touring his first EP, Same Kind of Different, he’s been busy recording his as-yet-untitled full-length in London with the team behind the EP, Edd Holloway and Nicholas Atkinson. Sixteen songs have been laid down, “and then about 20 more almost made it”. “I’m trying to write little movie scenes or little worlds, and by using that technique you can…

ALBUM: TBC RELEASE: MID-YEAR EVEN THOUGH ADAM Briggs’ schedule of late has been dominated by his work with A.B. Original and TV duties on The Weekly with Charlie Pickering (not to mention a plum writing job on Simpsons creator Matt Groening’s new show), the rapper has still found time to work on the follow-up to 2014’s breakthrough solo LP Sheplife. Or, as he puts it: “I never stopped working on the record.” “I’ve got 10 songs I like,” he explains. “But how they fit together I’m not sure. When I make an album I like to make it from start to finish, as one continuous piece. So from the conception of it to the album artwork to the layout to even the videos, I like to link it all together,…

ALBUM: IVORY RELEASE: MARCH 23 The New Zealander’s fourth album was recorded in Los Angeles with Steve Rusch (Letlive., Solange) and, says Wigmore, “most definitely follows the eclectic nature of previous albums, however this album feels a lot more ‘at peace’ than previous records. I felt very little pressure to appease anyone on what kind of songs I wanted to write or how I wanted to produce it.” The 11-tracker features the ballad “Cold Cave” as well as the defiant “Hallow Fate”. “I was pretty pissed at the state of things going on with my career and the letdown I felt with the people I had trusted to help me in the music industry. This song discusses these sentiments and was a very therapeutic release for all those feelings.”…

ALBUM: TBC RELEASE: MID-YEAR SYDNEY TRIO MIDDLE KIDS HAD A busy 2017, releasing their self-titled debut EP, supporting Ryan Adams and Paul Kelly on their national tours, and spending three months playing in the U.S., during which they performed on late-night TV show Conan. While in the States they also spent a week in Connecticut with Peter Katis (the National, Interpol) mixing their debut album, which they recorded prior to the tour. “He’s got a pretty specific sound with those very big drums, which is great for us,” enthuses singer-guitarist Hannah Joy. “He’s very good at helping moments come out. We really love all the extra guitar noodle parts, and a lot of atmospheric parts around the songs, and he’s really good at having those in and just being able…

ALBUM: NATURAL BORN CHILLERS RELEASE: FEB 2 MELBOURNE PUNK- ska-psychedelic rock dogs the Bennies have a pretty straight-forward approach to making music. In a world increasingly full of bummers, they just want people to have a good time. Guitarist Jules Rozenbergs is living up to the new album’s title. “This is the best part of the process, when the album’s all done and you’re waiting for it to come back from the pressing plant,” he smiles. Rozenbergs says NBC is a slight departure from 2016’s Wisdom Machine. “This album’s a bit more raw and rough around the edges. With past releases we’ve produced them within an inch of their life, so coming into this album it was nice to have a bit of fun and trash it up. Some of…

ALBUM: HOW TO SOCIALISE & MAKE FRIENDS RELEASE: MARCH 2 ON “THE OPENER”, THE FIERY, chorus-free introduction to Camp Cope’s forthcoming sophomore LP, How To Socialise & Make Friends, vocalist/guitarist Georgia Maq takes aim at the systemic sexism within the music industry, snarling: “It’s another man telling us we can’t fill up the room. It’s another man telling us to book a smaller venue.” “I’ve been quite unapologetic,” Maq explains, adding that on the Melbourne punk trio’s new album she’s “not afraid to say what I have to say. I feel more confident this time.” How To Socialise & Make Friends was recorded in October over “no more than two days” at South Melbourne’s Holes & Corners studio, with the band reuniting with producer Sam Johnson, who worked on their…

ALBUM: TBC RELEASE: MID-YEAR TASH SULTANA’S SUMMER schedule is looking pretty set. Alongside plans to “just go surfing every day”, the 22-year-old multi-instrumentalist will spend the majority of January and February in the studio working on her as-yet-untitled debut full-length. “I’m pretty fucking keen. I’ve had these songs in my head forever,” Sultana drawls down the line from Fremantle, where she’s just hours ahead of another sold-out show (“Tonight is 4000, tomorrow is 4000, the day after 5000,” she nonchalantly explains). It’s one of the final stops on her 18-month globe-trotting run, which has seen the Melbourne ex-busker play festivals and theatres from Brooklyn to Belfort, all off the back of just a solitary release, her 2016 debut EP, Notion. “I’m not playing the stuff on the album [live] just…

ALBUM: YEAH, NAH RELEASE: SECOND QUARTER A FEW YEARS AGO, THE Funkoars were mixing what was scheduled to be their fifth album, then-titled In Case of Emergency. But all was not as it should be. “The great unsaid in the room was, this is not good enough,” recalls MC Dan “Trials” Rankine. “It didn’t sit with us as, this is the [album] that we’re happy to be our all-encompassing [vision], we’ve distilled our creative process down to this. It was a solid, OK record.” And so despite having the LP and artwork completed, the trio opted to start again. “We just sat back down, took a completely fresh break from everything we heard, immersed ourselves in new bits and pieces of gear, really tried to figure out what our sound…

ALBUM: TBC RELEASE: MID-YEAR BOUNCING BETWEEN studios in New York, where she’s been working with producer David Kahne, and Sydney with local producers Ross James and Alex Burnett, Thelma Plum has almost finished her debut LP. “I’ve spent the best chunk of this year on it,” she says. She was inspired to work with Kahne because of his involvement with Lana Del Ray’s pre-fame albums (released under the name Lizzy Grant). “Some of my favourite songs ever are on those records. Then I realised that he’s worked with the Strokes, another band that I’ve listened to for years.” Lyrically, Plum has felt empowered to become more political. “When I released my first EP, I was 16 and a lot of it was about where I was at at that time.…

ALBUM: TBC RELEASE: TBC JUDGING BY SOME OF ITS GUEST performers, the new album by Sydney electronic duo the Presets will have something of an international feel to it. “We recorded an African choir in regional Victoria and a Caribbean choir in LA,” says Kim Moyes. “There are vocal contributions from singers all over the globe who worked remotely to get us parts for songs, some of whom you may be familiar with and others who might be a fresh discovery.” Also adding their talents to the album – the duo’s fourth, and the follow-up to 2012’s Pacifica – are Shane Parsons from DZ Deathrays, who plays guitar on one song, as does Kirin J. Callinan, while “old mate” Touch Sensitive is also involved with a couple of tracks. The…

ALBUM: BLOODY LOVELY RELEASE: FEB 2 DZ DEATHRAYS GUI- tarist/vocalist Shane Parsons has a very simple explanation for the hard-rocking duo’s new album title, Bloody Lovely. “My girlfriend’s father says it all the time, whenever he eats something that’s delicious or tries a drink, and I just thought it was a really funny term. A really Australian way to describe something passionately. Also, all of our albums have started with the letter B.” Parsons also likes the juxtaposition of the two words. “Part of our thing is to sound really fun and evil at the same time, and that phrase sums up that position.” With the record in the can, Parsons and drummer Simon Ridley are currently on tour in South America. “It took longer than we wanted to get…

ALBUM: BLEND INN RELEASE: FEBRUARY 9 To make their second album, the NSW indie-rockers decamped to Seattle’s famed Robert Lang studios, the same place Dave Grohl laid down the initial Foo Fighters demos, and the last place Nirvana ever recorded. “We spent a few weeks there and had a blast in that amazing studio,” says vocalist/guitarist Zach Stephenson. “The album has a bit of a darker and heavier feel to previous things we have released,” he adds. “Lyrically I think the record explores the last couple of years for us and what we have gone through on the road and growing older whilst touring.” The 12 songs set for inclusion – “All bangers,” smiles Stephenson – feature first single “Homely Feeling” and another called “Sweet Release”. “It’s about letting it…

ALBUM: IF I SAID ONLY SO FAR I TAKE IT BACK RELEASE: MARCH MIA DYSON’S FOLLOW- up to 2014’s Idyllwild is very much a collaborative effort. “This is the first full-length album of mine entirely co-written with my husband Karl Linder,” she explains. “We started writing together a few years ago when I tried putting some of his poetry to music. We then tried writing together from scratch and loved the process and the result. I mostly write the music and we write the lyrics together, and he brings a very esoteric, poetic style where I am more direct and plain-spoken.” Musically, Dyson says the album covers a lot of ground, from the “experimental, aggressive guitar” of “Open” to the “very sweeping, delicate singing and playing” of opener “Being Scared”.…

MARLON WILLIAMS

ALBUM: MAKE WAY FOR LOVE REL: FEB 16 Marlon Williams’ second album comes with a warning of unstoppable emotional momentum in its title. “I’ve never used music as therapy,” the honey-voiced crooner from Lyttelton, New Zealand, says of his California-made album. “It’s always been cathartic in some ways, but I’ve never needed to have it as a vehicle to work things out. Until now.” The album comes in the ache of a break-up with fellow Kiwi singer Aldous Harding — which might just be idle gossip if she didn’t play such a key role in the healing. Their long-distance duet, “Nobody Gets What They Want”, “was well and truly a part of the process”, Williams says. “It’s a really great feeling that music can have that sort of functionality.”…

ALBUM: PRIMAL HEART RELEASE: JANUARY 19 ‘THE MOVE TO NEW YORK WAS very much for myself. It had nothing to do with my career,” Kimbra says of the change of scene surrounding her imminent third album, Primal Heart. That said, a celebrated pop star choosing to leave Los Angeles signifies more than a zip-code switch. The mercurial New Zealand expat found herself at the centre of her own glittering music biz galaxy at the time of her last record, 2014’s The Golden Echo. The Gotye thing, 2011’s blockbustin’ Vows debut and a sneaky pair of Grammies conspired to create a bona fide soul-funk epic teeming with guests from Daniel Johns to John Legend; Matt Bellamy to Thundercat. “So much of my life turned upside down around that time that I…

ALBUM: DJARRIMIRRI (CHILD OF THE RAINBOW) RELEASE: TBC ARTISTS MEASURE SUCCESS IN all kinds of ways. Opening the world’s ears to a sound it’s never heard before; one that moves it in profound, seemingly ancient but unforeseen ways, might be a good enough legacy for most singers. “What Gurrumul sees of success,” says the late Yolngu singer’s friend and collaborator Michael Hohnen, “is when his family recognises what he’s doing is most representative of them, their culture and their music.” He makes the comment in Gurrumul: Elcho Dreaming, a stunning film by Paul Williams that its subject approved just days before his passing in July. Central to the narrative is the making of the Arnhem Land prodigy’s final album, Djarrimirri (Child of the Rainbow). It will surely be judged as…

ALBUM: DEPTH OF FIELD RELEASE: FEBRUARY 23 TWO YEARS AFTER THE TOP 10 Eternal Return, Sarah Blasko is set to release her sixth album, Depth of Field. Recorded in “many studios” around Sydney – including “bits and pieces” in her own home and bass and drums at Jim Moginie’s Oceanic studios – and produced by Blasko, the Sydney singer-songwriter penned between 25 and 30 songs for the record, with 10 making the cut. “I feel that it follows on from Eternal Return but it is certainly not the same,” considers Blasko. “There are far less keyboards for starters, as that album was kind of a keyboard love affair. But it’s always important to me to pick up from where the listener saw or heard me last, so there are connecting…

ALBUM: TBC RELEASE: MID-YEAR FOR THEIR FOURTH RE- cord, Sydney hardcore band Hellions “have set out to make people laugh, cry, smile, get angry, be happy, feel uncomfortable and feel unstoppable”, says drummer Anthony Caruso. The band recorded the follow-up to 2016’s Opera Oblivia with Shane Edwards at Karma Sound Studios in Bang Saray, Thailand, whittling down 16 songs to a final track-listing of 11. Songs set for inclusion are “Harsh Light” (which “is full of funk and almost guaranteed to make you dance”, says Caruso) and “Furrow”, which is “an emotionally driven epic that sounds as desperate as the story it tells”. “The last record was a big change compared to the two it followed,” says the drummer. “This one takes what we had learned and introduced throughout the…

ALBUM: TBC RELEASE: TBC Holly Rankin, AKA Jack River, is putting the finishing touches to her debut album, and though she won’t reveal its title will say, “It’s named after my favourite Neil Young song.” Recorded and written over five of the “hardest, craziest years” of her life, she says: “With this album I have felt less inclined to fit in and more inclined for the songs and project to reside in its own space.” The singer describes the track “Confess” as “the song where I have tried to perfect my vision of early 2000s pop meets grit folk. It’s Alicia Silverstone meets Oasis meets Natalie Imbruglia.”…

COURTNEY BARNETT

ALBUM: TBC RELEASE: TBC Courtney Barnett may have only recently released her full-length collaboration with Kurt Vile, Lotta Sea Lice, but she hasn’t been resting on her laurels – it seems the follow-up to her breakthrough debut album, Sometimes I Sit and Think, and Sometimes I Just Sit, is almost finished. In a recent interview with Beats 1 DJ Zane Lowe, Barnett revealed that she’s “trying to come up with a title for my new album . . . It’s all one sentence thoughts, you know, trying to come up with something clever.” Upon being quizzed if it’s finished she said it’s “getting close”.…

ALBUM: TBC RELEASE: TBC Having been (controversially) dubbed “the best up-and-coming live band in Australia” by Triple J, the Brisbane outfit’s debut album will feature a bunch of the songs they’ve been charming audiences with here and overseas, such as “Boyfriend”, “Bubblegum”, “Try Your Luck” and a re-worked version of “Don’t You Know I’m In a Band”. “The album is ironic, self-deprecating and has some badass basslines,” says vocalist Janet Planet of the 11-track effort. “We think our album sounds like what you’d want a Confidence Man record to sound like.”…

DEAD LETTER CIRCUS

ALBUM: TBC RELEASE: MAY TBC AT THE START OF 2017, DEAD LET- ter Circus set themselves a goal of recording two albums in the year. “There was a joke, as if we’d get that together,” chuckles frontman Kim Benzie. In May they ticked off the first part of that equation when they released The Endless Mile, featuring acoustic reimaginings of earlier material. Then Benzie had what he refers to as a “massive download from the ether of new music”, and by September the band had entered Studio Circuit on the Gold Coast with producers Forrester Savell and Matt Bartlem to record the proper follow-up to 2015’s Aesthesis. “I’d say it’s a bit heavier than [that record],” says Benzie of the as-yet-untitled album. “[The Endless Mile] created a pendulum effect where…

DEAD LETTER CIRCUS

ALBUM: TBC RELEASE: MAY TBC ‘I WANT IT TO HAVE THE ‘GUNS BLAZ- ing’ of the first record,” says Chris Cheney from the Living End’s Melbourne rehearsal studio, where the trio are currently writing songs for their eighth album. “The last couple of records we’ve probably been guilty of being a little tame here and there and trying to put too much emphasis on crafting the song too much as opposed to just plugging in and fucking bashing out some noise. So there’s a lot of noise on this record already. The shackles have been pulled off.” With Cheney now living in Los Angeles, the three-piece reconvened in Melbourne in November and spent three weeks “throwing around” some of the “100 ideas” the frontman had accumulated on Garage-Band, followed by…

Kimbra’s Multi-Coloured Third Record

Kimbra Primal Heart Warner ★★★★ BY ANNABEL ROSS If Kimbra’s second record didn’t reach the commercial heights of her first, it at least cemented her reputation as one of the most daring pop artists around. The Golden Echo (2014) was a tropical punch of future-soul that, while impressing most critics with its ambition, felt a little too scattershot to connect with a broader audience. The influence of fellow pop rebel, the intergalactically inclined Janelle Monae, was palpable throughout, in stark contrast to the more uniformly BjÖrk-on-Broadway feel of 2011’s Vows. Like its predecessors, Primal Heart is surprising, potent and polished til it sparkles, but it paints within narrower parameters, allowing Kimbra’s voice and personality to come to the fore and sounding less like a caricature of herself. Co-producing every track…

Kimbra’s Multi-Coloured Third Record

Tune-Yards’ one-woman show

Tune-Yards I can feel you creep into my private life 4AD/Remote Control ★★★★ Sometimes Tune-Yards’ music sounds like field hollers from the American south in the 1940s. Sometimes it sounds like troupes of South African schoolgirls doing skipping chants. Sometimes it sounds like an early Eighties New York downtown mash-up of electro, disco and art-pop. The fact it’s all the work of one white thirty-something woman, who can translate all the above onstage with just a bass player for company, speaks to the genius of Merrill Garbus. On her fourth album, Garbus pulls back the curtain a crack to allow the listener a peak into how she builds these songs. There’s the deliberately skew-iff piano chord that’s repeated throughout “Heart Attack” until its part of the fabric of the song,…

Tune-Yards’ one-woman show

Sifting Through the Ruins

First Aid Kit Ruins Sony ★★★ ½ Swedish-via-USA sisters Klara and Johanna Söderberg have reportedly experienced both breakups and some intra-family tension in recent times, and their fourth album feels a little darker, a little more bruised, a little wiser for it. The “little” here isn’t meant to suggest insignificance, but rather that Ruins is neither a sudden shift into darkness nor an extreme exploration of it. Their preference for a kind of wistful country/ folk means that First Aid Kit have always leaned sad, but there’s an extra edge to the lyrics and an additional layer of hurt in those songs. However, there’s no cheap gloom or easy moves. “Rebel Heart”, with a trumpet voluntary in the denouement, and “It’s a Shame”, with some southern soul organ circling…

Sifting Through the Ruins

Django Django’s Genre Free Romp

Django Django Marble Skies Because ★★★ ½ Having staked out genre-hopping adventurism on their self-titled debut before tidying up for 2015’s Born Under Saturn, Django Django are back to feeling comfortably loose with their alchemy. Marble Skies both streamlines and diversifies their excitable, eccentric pop without losing the celebratory DIY spirit that animated their early tinkering. Thanks in part to Metronomy’s Anna Prior, who joined on drums while David Maclean shifted to more of a producer’s role, the London ensemble bring rhythmic sinew to airy earworms (“Further”) and retro rave-ups (“Tic-Tac-Toe”) alike. All the while, guitarist Vincent Neff’s floaty vocals conjure disembodied campfire warmth. Yet the biggest highlights wind up being a pair of curveball collaborations: Slow Club’s Rebecca Taylor sings snake-charming lead on the dancehall-flirting “Surface to Air”,…

Django Django’s Genre Free Romp

Ratings are supervised by the editors of ROLLING STONE. Tales of Forbidden Love The Shape of Water Sally Hawkins, Doug Jones Directed by Guillermo del Toro ★★★★ ½ IF YOU THINK IT’S HIGH time that Mexican filmmaker Guillermo del Toro (Pan’s Labyrinth) joined his directing countrymen Alfonso Cuarón (Gravity) and Alejandro González Iñárritu (Birdman) in the Oscar winners circle, The Shape of Water just may be the movie to do it. Set during the Cold War, the film is a thing of beauty and terror about Elisa, a mute cleaning lady played by Sally Hawkins, who falls hard and gets it on with an amphibious creature (Doug Jones) being used for secret government experiments in the lab where Elisa works. The emotionally naked Hawkins is unforgettable in a riveting, refreshingly…

“I don’t really throw tantrums. I’m more likely to sulk in my own juices than make it everyone else’s problem.” The last time I confronted a phobia Oh jeez, I think I’ve got so many demons I don’t know if I’m ready to deal with any of them. I just keep stamping them down and hoping they go away, but that’s probably not the best solution. I should probably get a little smarter about it and face those things. The last time I got injured onstage I’m not sure that’s ever happened. I’ve been emotionally injured on stage, with the audience reaction or something. There was this one time when we were playing a show at a folk festival and there was this older gentleman, he had his own lawn…

In This Issue

Description

Details

Reviews

Recent Digital Issues Browse all

Recent Rolling Stone Australia Digital Issues Browse all back issues

Rolling Stone Australia (Digital) Subscription July 1st, 2017 Issue

Rolling Stone Australia (Digital) July 2017: $3.88

Rolling Stone Australia (Digital) Subscription June 1st, 2017 Issue

Rolling Stone Australia (Digital) June 2017: $3.88

Rolling Stone Australia (Digital) Subscription May 1st, 2017 Issue

Rolling Stone Australia (Digital) May 2017: $3.88

Rolling Stone Australia (Digital) Subscription April 1st, 2017 Issue

Rolling Stone Australia (Digital) April 2017: $3.88

Rolling Stone Australia (Digital) Subscription January 1st, 2018 Issue

Rolling Stone Australia (Digital) January 2018: $3.88

Rolling Stone Australia (Digital) Subscription December 1st, 2017 Issue

Rolling Stone Australia (Digital) December 2017: $3.88

Rolling Stone Australia (Digital) Subscription November 1st, 2017 Issue

Rolling Stone Australia (Digital) November 2017: $3.88

Rolling Stone Australia (Digital) Subscription October 1st, 2017 Issue

Rolling Stone Australia (Digital) October 2017: $3.88

Rolling Stone Australia (Digital) Subscription September 1st, 2017 Issue

Rolling Stone Australia (Digital) September 2017: $3.88

Rolling Stone Australia (Digital) Subscription August 1st, 2017 Issue

Rolling Stone Australia (Digital) August 2017: $3.88

Rolling Stone Australia (Digital) Subscription July 1st, 2017 Issue

Rolling Stone Australia (Digital) July 2017: $3.88

Rolling Stone Australia (Digital) Subscription June 1st, 2017 Issue

Rolling Stone Australia (Digital) June 2017: $3.88

Rolling Stone Australia (Digital) Subscription May 1st, 2017 Issue

Rolling Stone Australia (Digital) May 2017: $3.88

Rolling Stone Australia (Digital) Subscription April 1st, 2017 Issue

Rolling Stone Australia (Digital) April 2017: $3.88

Rolling Stone Australia (Digital) Subscription January 1st, 2018 Issue

Rolling Stone Australia (Digital) January 2018: $3.88

Rolling Stone Australia (Digital) Subscription December 1st, 2017 Issue

Rolling Stone Australia (Digital) December 2017: $3.88

Rolling Stone Australia (Digital) Subscription November 1st, 2017 Issue

Rolling Stone Australia (Digital) November 2017: $3.88

Rolling Stone Australia (Digital) Subscription October 1st, 2017 Issue

Rolling Stone Australia (Digital) October 2017: $3.88

Customers Also Viewed

Radio Times Magazine (Digital) Subscription March 29th, 2025 Issue

Radio Times Magazine (Digital)

(1)

51 Issues: $163.44 ~~$256.02~~

Côté Paris Magazine (Digital) Subscription February 12th, 2025 Issue

Côté Paris Magazine (Digital)

6 Issues: $28.45 ~~$33.48~~

UNCUT Magazine (Digital) Subscription April 1st, 2025 Issue

UNCUT Magazine (Digital)

(1)

12 Issues: $58.00 ~~$71.88~~

Rogue One Souvenir Magazine (Digital) Subscription March 20th, 2017 Issue

Rogue One Souvenir Magazine (Digital)

Rogue One Souvenir Magazine: $9.99

Empire Australasia (Digital) Subscription January 1st, 2021 Issue

Empire Australasia (Digital)

January 2021: $2.58

The Rolling Stones Magazine (Digital) Subscription June 25th, 2013 Issue

The Rolling Stones Magazine (Digital)

The Rolling Stones: $5.98

Buy And Play The Acoustic Guitar Magazine (Digital) Subscription September 3rd, 2015 Issue

Buy And Play The Acoustic Guitar Magazine (Digital)

Buy And Play The Acoustic Guitar: $7.28

Essential Guide to Movie Superheroes Magazine (Digital) Subscription February 11th, 2013 Issue

Essential Guide to Movie Superheroes Magazine (Digital)

Essential Guide to Movie Superheroes: $3.11

JazzTimes (Digital) Subscription July 1st, 2023 Issue

JazzTimes (Digital)

July/August 2023: $4.95

The Advocate Magazine (Digital) Subscription January 1st, 2024 Issue

The Advocate Magazine (Digital)

(1)

6 Issues: $14.95 ~~$35.94~~

Radio Times Magazine (Digital) Subscription March 29th, 2025 Issue

Radio Times Magazine (Digital)

(1)

51 Issues: $163.44 ~~$256.02~~

Côté Paris Magazine (Digital) Subscription February 12th, 2025 Issue

Côté Paris Magazine (Digital)

6 Issues: $28.45 ~~$33.48~~

UNCUT Magazine (Digital) Subscription April 1st, 2025 Issue

UNCUT Magazine (Digital)

(1)

12 Issues: $58.00 ~~$71.88~~

Rogue One Souvenir Magazine (Digital) Subscription March 20th, 2017 Issue

Rogue One Souvenir Magazine (Digital)

Rogue One Souvenir Magazine: $9.99

Empire Australasia (Digital) Subscription January 1st, 2021 Issue

Empire Australasia (Digital)

January 2021: $2.58

The Rolling Stones Magazine (Digital) Subscription June 25th, 2013 Issue

The Rolling Stones Magazine (Digital)

The Rolling Stones: $5.98

Buy And Play The Acoustic Guitar Magazine (Digital) Subscription September 3rd, 2015 Issue

Buy And Play The Acoustic Guitar Magazine (Digital)

Buy And Play The Acoustic Guitar: $7.28

Essential Guide to Movie Superheroes Magazine (Digital) Subscription February 11th, 2013 Issue

Essential Guide to Movie Superheroes Magazine (Digital)

Essential Guide to Movie Superheroes: $3.11

Reviews

0

0

0

0

0

No reviews yet

Ask a Question

Click stars to rate

Please select a rating for the review.

Please enter title for the review.

Please enter content for the review.

Please enter order number.

Please enter your first name and last name.

Only letters allowed for first name and last name.

Please enter your email.

Upload photo

Cancel Submit

Processing...

Thank you for your feedback! Your review has been submitted and will be published soon.

OK

Be the first to ask a question about this product

Please enter content for the question.

Please enter at least 10 characters.

Your question can not be more than 150 characters.

Please enter your first name and last name.

Only letters allowed for first name and last name.

Please enter your email.

Submit Processing...

Thank you for your question! Your question has been submitted and will be published soon.

Answer this question

Please enter content for the answer.

Please enter at least 10 characters.

Please enter your first name and last name.

Only letters allowed for first name and last name.

Please enter your email.

Submit Cancel Processing...

Thank you for your answer! Your answer has been submitted and will be published soon.

OK

×