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26 Articles

On the search for your happy medium

This issue, we interviewed the extraordinary artist Marek Yanai – over on page 40. The feature is a great read, and covers the artist’s 50-year journey from a 20-something copyist honing his skills in Viennese galleries, to choosing painting over puppetry, to finally working at the art school that he was kicked out of as a kid. His story is inspiring, as is his enthusiasm for different media. His open approach to art and its tools fits perfectly with Paint & Draw, and this particular issue, as we once again cover a variety of approaches to a variety of subjects using an array of media. And though the media is always indicated in the workshops, I should stress that it doesn’t really matter whether that’s what you have to work…

On the search for your happy medium

IN MEMORY OF THE HOLOCAUST 10 dramatic concepts for a new Holocaust memorial in central London are under consideration AS PART OF a major public consultation, 10 shortlisted concepts for London’s new Holocaust Memorial and Learning Centre – to be situated in Victoria Tower Gardens, next to the Houses of Parliament – were exhibited at the V&A in August. The jury, which includes London mayor Sadiq Khan, and Dame Julia Peyton-Jones, former director of the Serpentine Gallery, is currently deliberating on who should win the commission. In contention are high-profile artists such as Michal Rovner, Rachel Whiteread, and Anish Kapoor, working alongside world-leading architecture firms Foster + Partners, Caruso St John Architects and Zaha Hadid Architects, respectively. In Michal Rovner’s concept, a steel ramp descends into the earth, evocative of…

Five great exhibitions...

CONSTABLE AND BRIGHTON Until 8 October, Brighton Museum and Art Gallery www.brightonmuseums.org.uk/brighton John Constable may be best known for his landscapes, but the artist’s stay in Brighton and Hove in the 1820s inspired a range of dramatic seascapes that capture the power and unpredictability of the South Coast’s weather fronts. In a fitting twist, Constable’s old Brighton residence is now home to the exhibition’s curator, Peter Harrap. CÉZANNE PORTRAITS 26 October 2017 - 11 February 2018, National Portrait Gallery, London www.npg.org.uk This looks set to be one of the National Portrait Gallery’s key exhibitions of the year, and brings together over 50 portraits by French Post-Impressionist master Paul Cézanne. All in all, this is an unmissable opportunity to gain an insight into one of the 19th-century’s…

Five great exhibitions...

DEAR PAINT & DRAW, I’d like to thank you for reviewing Aaron Blaise’s online charcoal drawing workshop in issue seven. I was lucky enough to be given the workshop as birthday gift in June and I have thoroughly enjoyed working along with it. I was really pleased with the results too – have a look! Although I studied art to degree level, I’ve only recently returned to practising (13 years since graduating). I love learning new approaches and techniques, and I look forward to receiving my copy of Paint & Draw each month to see what I can have a go at. Due to the time restraints of being a full-time mum, I am mostly working with dry media now and I’m really enjoying all your workshops on tips for…

Letter of the month

HELLO, l read, with interest [Guardian writer] Jonathan Jones’ comment about Banksy’s work Balloon Girl and how it should be regarded as “proof of our stupidity”, in issue 12. Surely the purpose of art is to stimulate the brain and enough brains were stimulated to vote this piece of work Britain’s favourite artwork. To paraphrase a quote, “ Those who can, do, those who can’t, teach...” and those who can’t do either set themselves up as self-appointed, pontificating, overpaid ‘experts’ who dare to advise the rest of us what we can or cannot like, and if we disagree then we are ‘stupid’ and do not understand the nuances of ‘real art.’ Jonathan Jones, find yourself a proper job. Yours, D. Swainston. Beren replies: Hello Dennis, What a fiery email! I…

Letter of the month

Master metallic reflections WHEN LIGHT STRIKES a metallic object, it can reflect back onto any nearby object in an unusual way. Normally, light hitting a primary and secondary object gives varying degrees of light, shadow and cast shadows, but reflective light also happens under these circumstances, and will need to be shown in your artwork. To show how this works, I have produced the images above, working with a dark charcoal pencil and an eraser. About TONY HOGAN Cornwall, UK After art college, Tony embarked on a career in commercial art, and returned to painting in the 1970s. He is a demonstrator and also runs art holidays in the UK, Italy and Spain. www.hoganart.co.uk Follow these steps... 1 I select two interesting objects – a highly polished metallic teapot and…

Depict a luminous harbour scene at dusk

About ABIGAIL Bristol, England Growing up in Italy, Canada and Dorset, Abigail has always been inspired by the beauty of the landscape. Watercolour is her favourite medium and she is focusing more and more on painting water scenes. www.abigailmcdougall.com I am going to talk about light, tone, colour and creating interesting brushstrokes. I always love to paint outdoors whenever I can, especially at dawn or dusk. The light changes fast, so you have to learn to work quickly and spontaneously. I am always out on my bike looking for subject matter to paint, I treat it as an adventure. I take sketches, colour studies and photos to make sure I have enough reference in case I want to make a larger painting in the studio. Choosing a subject matter at…

Depict a luminous harbour scene at dusk

Rebecca de Mendonça reveals why the drama of The Supper at Emmaus by Michelangelo Merisi da Caravaggio has always been an inspiration Out of all of the paintings I have seen over the years, the one that I still marvel at is The Supper at Emmaus, which was painted by Michelangelo Merisi da Caravaggio in 1601. I first saw this painting on a school trip to the National Gallery when I was 18, and I was blown away by it. It gave me the feeling that I was there, in that room in the picture. The figures seem to be moving, and we, the viewers, become caught up in the excitement of this moment.. This painting was commissioned by the Roman nobleman, Ciriaco Mattei, and Caravaggio painted it in oil…

Experiment with colour for dynamic oil portraits

About GREG Bristol, England Greg is predominantly an oil painter who specialises in the human figure (with the occasional watercolour and drawing thrown in). He exhibits across the country, welcomes commissions from individuals and organisations, does painting demonstrations and also teaches. www.greg-artist.com In this portrait in oils tutorial, I want to open the door for you to start mindfully introducing arbitrary colours and exciting gestures with a variety of tools. A basic understanding of the colour wheel and complementary colours would be useful, so you may need to do a quick bit of research! I love creating challenging colour combinations, varied surface qualities and large tonal shifts. The more freewheeling and distant from the original source (whilst not losing the connection), the more enjoyable I find it. Before I begin…

Experiment with colour for dynamic oil portraits

Five simple tips for beautiful skies

About VALÉRIE Bath, UK Originally from Belgium, Valérie has lived in the UK for the past 11 years. She works mainly in oils and enjoys working plein air. See more of her paintings at www.valeriepirlot.com Skies are one of the most beautiful things you can witness in nature, and are often a great source of inspiration. However, artists often struggle to tackle them with oils. A common mistake is to treat the sky as the last step of the painting, as an afterthought, which makes it look like it doesn’t belong with the rest of the landscape. It should be painted in connection with rest of the painting in order to achieve a convincing and homogeneous result in terms of colours, brushwork, tones and composition. So try to have a…

Five simple tips for beautiful skies

Every day, while in his twenties and living in Vienna, Marek Yanai visited the same museum and stood in front the same painting. He studied a portrait by Dirck van Santvoort, then copied it. One day, Marek noticed an older man in the Kunsthistorisches Museum. This man also visited every day. He also copied a painting. Marek spoke little German, but they began to talk. The older man worked as a copyist. He had never painted an original painting in his whole life, but he knew everything there was to know about traditional materials and traditional techniques. “He told me that when he was young, he learned these techniques from an old teacher, who had himself studied with an old teacher,” says Marek. “So this expert knowledge has been handed…

Expression of the soul

1 BECAUSE I PAINT in a larger scale than life, and I really use the gravity of water, I hold the painting at a 40-60 degree angle. Usually I start painting portraits from the upper part of the forehead. The colour drips down. With the first layer of colour, I go down towards the eyes with a big brush, and then I start dealing with the eyes – not the anatomy of the eyes, but the expression of the soul. 2 I ADD MORE details, like the hint of the glasses, while painting in cool colours that contrast the warmer complexion of the lady. This tension – between the cool and the warm – becomes the hidden quality of the painting. This particular photo shows the real size of my…

Expression of the soul

Artist’s Studio

Peter Gilbert built his own studio in the New Forest around 20 years ago. It measures in at 25ft long and 14ft wide –“it’s still not big enough,” he jokes – and comes complete with a toilet, sink and windows that span one entire wall. There are also plenty of shelves packed with art supplies, plus worktops and a built-in tilting easel. There’s even space for another large easel to stand on the floor. It may seem luxurious, but given that Peter spends at least six hours in his studio almost every day, the large space seems justified. “I am an early riser, so I’m in the studio with my first coffee before 9am,” he says. Occasionally he’ll even work through into the night, and the space is set up…

Artist’s Studio

SHEILA CHAPMAN Sheila is a contemporary painter based in Edinburgh. Her work often focuses on nature and the way people connect with it in our modern world. www.sheilachapmanart.com I like to make mixed-media sketches when I am out and about, to capture moments in life as they happen. Sometimes I will make a sketch on the spot in ink or pencil, then add colour later from memory. These sketches may spark ideas for more developed work or themes, or may simply stand as works in their own right. Recently, I have also been making sketches of people from an inherited collection of old family photographs, from which I have been developing a body of new work. Cottage in Devon "This was the view from my bedroom in the Devon holiday…

Paint miniature masterpieces

About ALISON Tenterden, Kent Alison’s love of working in great detail lead her towards painting miniatures. She is a member of the RMS, has won many prestigious awards and teaches miniature art classes at her Maidstone studio. www.alisongriffin.net The origin of miniature painting stretches far back to the medieval age. Historical miniature artists painted exquisite portraits in watercolour on vellum and ivory. They used fine detail and techniques such as stippling and hatching to create layers of colour. Many miniature artists today are still painting in the traditional way, but now miniatures can be of any subject and in a variety of mediums – oil, watercolours and acrylics, to name but a few. Vellum is still chosen as a painting surface, but now more artists are choosing to use newer…

Paint miniature masterpieces

Draw better hands using negative space

About JAKE Brighton, UK Jake is an artist, author of a bestselling series of how to draw books and head tutor of independent drawing school Draw. He uses drawing as a tool for communication. www.jakespicerart.co.uk Last month we explored lines as a simple and direct means of translating the contours of your subject onto the page. In this article, we’ll look at shape and how a seemingly complex subject can be simplified to create a foundation for your drawing, as well as introducing the idea of negative and positive spaces. The exercise outlined in the following steps is one that you can try at home, drawing from your own hand. It could just as easily be applied to a chair, a plant or anything that presents trapped shapes and negative…

Draw better hands using negative space

Majestic, mysterious and enchantingly beautiful, the ancient woodlands and sprawling wilderness heaths of the New Forest craft a rich, colourful tapestry. Shards of light illuminate the forest floor, while ponies, pigs, cattle and deer roam freely, just as they did centuries ago. In the heart of the woods sit charming villages, steeped in legend; their secrets held close by swathes of mighty oaks, twisted yews and perfumed violets, until gradually the forest gives way to the golden cornfields and picturesque beaches of the Solent. Unsurprisingly, the New Forest – claimed by William The Conqueror as his new royal hunting forest in 1079 – has captured the imagination of generations of artists. From leading British portrait painter Augustus John (1878-1961) to Sherlock Holmes creator Sir Arthur Conan Doyle, and even Alice…

Fordingbridge Art Club Formed in 1946, Fordingbridge Art Club holds workshops (£40 for non-members) and talks alongside a busy schedule of exhibitions. A monthly sketch club also runs throughout the summer. www.fordingbridgeartclub.co.uk Claire Wiltsher Local artist Claire Wiltsher offers one-day workshops and classes in her Lyndhurst studio (£55). In September the theme will be coastlines using texture with acrylic and/or oil paint. www.clairewiltsher.com Pete Gilbert Over the summer Pete Gilbert offers one-day workshops, from 10am to 4pm, for £70 (including lunch). All abilities are welcome, and pastels, watercolours, sketch pads and brushes are provided. www.petegilbert.me.uk/workshops New Forest Pottery Time If you fancy something a bit different, try New Forest Pottery Time. Husband and wife team Eric and Val Freeman offer individual, family or group pottery courses (from £35 per adult),…

Galleries & studios

Beaulieu Fine Arts There’s something new to view each month in the five gallery rooms at Beaulieu Fine Arts, which houses work from contemporary artists. September’s artist of the month is oil painter Kimberley Harris. www.beaulieufinearts.co.uk Ytene Gallery Brockenhurst’s Ytene Gallery exhibits some of the best in British contemporary art. Open Monday to Saturday, a recent exhibition is by Claire Wiltsher and there’s also ceramics, sculpture and prints. www.ytenegallery.co.uk Coastal Gallery Close to the Beaulieu, Lyndhurst, Milford-on-Sea and Sway, Coastal Gallery specialises in artwork by contemporary artists and designers, including abstract art, printmaking, sculpture and jewellery. www.coastal-gallery.co.uk Hampshire Open Studios In the week leading up to August’s bank holiday, 250 studios, galleries, artists and art groups open their doors to exhibit original artwork and give talks and demos to the…

Visit Shatterford “Shatterford is a location four miles from Lyndhurst on the Beaulieu road,” says landscape artist Claire Wiltsher. “There is a four-mile circular walk that takes in forest, open land and wetlands. This reflects some of the best light for painting with a range of different bird life.” Seek out views “The route from Roger Penny Way that cuts across from Brook to Godshill has some remarkable views,” advises artist and illustrator Alan Langford. “From Deadman Hill dropping down to Millersford Bottom is dramatically impressive.” Find Bolderford Bridge “If you’re visiting for a day then head up to Beaulieu Heath. But if you’re visiting for a little longer, find Bolderford Bridge, on the edge of Brockenhurst, and spend a couple of days painting along the Leamington river,” says Pete…

Make a free and expressive still life in acrylics

Still life isn’t everybody’s cup of tea, but for me it has always been a favourite. I like having complete control over the colours and style of the setup, the objects, drapes and the way they all work together. Flowers from the garden are a must, and in this painting the retro coffee pot and cups really set the colour and tone. I take my time to get the setup just right. I am aiming for a very relaxed painting, without lots of detail but hopefully with lots of life and energy. First, I create an underpainting using vibrant and sometimes contrasting colour. I build the painting in layers. Working at speed firstly with a large brush and then a palette knife I capture the mood with expressive marks, vibrant…

Make a free and expressive still life in acrylics

MICHAEL BLAKE Michael Blake lives in Ringwood, at the edge of the New Forest. He works mostly in acrylics on canvas and exhibits several times a year in the local area. Some of his paintings have been auctioned. www.facebook.com/michaelblakeartist 1 Matriarch Acrylic on canvas, 16x20in “This was painted from photos kindly provided by our neighbours from their safari holiday in Kenya. I wanted to capture the magnificence of the elephant, who was checking out the visitors from the safety of the bush.” 2 Monty Acrylic on canvas, 24x18in “This magnificent Shire horse belongs to some neighbours, and the photograph was taken just as he had been prepared for the show ring. He will feature in future paintings.” 3 Porthcurno, Cornwall Acrylic on canvas, 24x18in “Painted from a photograph of the…

Iwata Spray Out Pot IWCL-300

Company : The Airbrush Company Web : www.Airbrushes.com Price : £29.95 Need to change paint in your airbrush, or have finished your spraying session and need to clean your airbrush? What do you do with the excess paint or cleaner in your airbrush? In the past I have used a scrunched up bowl of tissue and sprayed into that. This is not an ideal solution as it releases fumes and overspray into the atmosphere and can be very messy. Enter Iwata’s new Spray Out Pot, which has a host of neat features and the quality we have come to expect from the company's airbrushes. What’s in the box? The Spray Out Pot itself is a robust glass design and comes with a rubber sleeve to stop the pot sliding around…

Iwata Spray Out Pot IWCL-300

Jakar Lightweight Adjustable Watercolour Easel

Company : Jakar Web : www.jakar.co.uk/product/easels/6627-aluminium-easel/ Price : £39.99 If you paint standing, en plein air and often walk to get to landscapes, you're probably a minimalist in terms of equipment. You'll therefore want gear that is versatile, sturdy and lightweight. Working with exactly the same equipment outdoors as you do in the studio can be helpful in terms of familiarity, and this easel also performs well for indoor vertical painting demonstrations. The easel will extend higher than most will ever need it to, and its three-section telescopic legs enable it to fold down to just 66cm, so it will fit in many suitcases or a hiker’s rucksack. It weighs 1375 grams (excluding the light carry bag) or 1465 grams including the optional (included) ‘shelf’, which is useful for holding…

Jakar Lightweight Adjustable Watercolour Easel

Release Your Creativity: Discover Your Inner Artist with 15 Simple Painting Projects Author : Rebecca Schweiger Publisher : Get Creative 6 Price : $19.95 Web : www.facebook.com/pg/getcreative6 HONESTLY, we’ve never quite encountered a painting guide like this. While the bulk of the content is familiar territory, introducing basic materials and then walking you through a series of step-by-step projects, the overall focus is very different from the norm. Founder of The Art Studio NY, author Rebecca Schweiger believes that everyone is capable of creating great art, and so the book is infused with upbeat and positive messages, making it seem like a cross between an art class and a self-help guide. Many of the chapters begin, for example, by identifying a symptom of modern life that commonly causes stress: feeling…

Diary of A jobbing artist

About DAVID CHANDLER Frome, England David teaches weekly classes and painting courses, and writes and presents Seeing Things, a local radio show about art. www.davidchandler.net My feet are sore. I’m writing this from my bunk in a hostel, on top of an enormous hill somewhere in Asturias in Spain. I’m sure the view is lovely, if only I could see it through the low cloud and the rain that’s been falling steadily upon us since we began walking at our usual waking hour of six this morning. We’re heading for Santiago De Compostela on the Camino Primitivo, having already put one foot in front of the other for more than 500 kilometres. If we manage to make our final destination to Finisterre, we can add another 420 to that. As…

Diary of A jobbing artist

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