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31 Articles

OK, I’m just going to say it right here. There is something happening with Native American art right now that is really starting to take hold. And spread. Spread not just in traditional areas for Native art like the Southwest or the Pacific Northwest, but everywhere. All across the country. We feel it. Actually, let me rephrase that. Yes, we feel it. But we see it too. It is something tangible, something concrete, something that is undeniably here and is happening as we speak. And we couldn’t be happier or more proud. What evidence are we talking about, you ask? Well, look at this issue. It’s our June/July issue. Our summer issue. In this issue, we have written about contemporary and historic art exhibitions in the following places: Museum of Fine…

MARCIA G. ANDERSON Marcia Anderson was curator of the Minnesota Historical Society’s museum collections for 30 years. Originally from Spokane, Washington, Marcia earned her M.A. in museum studies and anthropology as well as her B.A. in history and anthropology from the University of Arizona, Tuscon. At MNHS her focus and expertise included the implementation of the Native American Graves and Repatriation Act (NAGPRA) at the society and she served as object collections liaison to the society’s Indian Advisory Committee. She is active as an author, lecturer and consultant. STEVEN L. GRAFE Steven L. Grafe became curator of art at Maryhill Museum of Art in 2009. Prior to that, he served as curator of American Indian art at the National Cowboy & Western Heritage Museum in Oklahoma City and chief curator at the Southwest…

JUNE 2-4 MORRISON, CO Tesoro Indian Market and Powwow The Fort Restaurant (303) 839-1671 www.tesoroculturalcenter.org JUNE 9 FLAGSTAFF, AZ Navajo Rug Auction Museum of Northern Arizona (928) 774-5211 www.musnaz.org THROUGH JUNE 30 TUCSON, AZ Navajo Transitional Blankets Mark Sublette Medicine Man Gallery (520) 722-7798 www.medicinemangallery.com THROUGH JULY 8 ORLANDO, FL Enduring Beauty: Seminole Art and Culture Orlando Museum of Art (407) 896-4231 www.omart.org OPENING AUGUST 1 SANTA FE, NM Pueblo Pottery Eccentrics & Curios Lyn A. Fox Fine Pueblo Pottery (505) 577-0835 www.foxpueblopottery.com JUNE 2-SEPT. 15 SANTA FE, NM Les Namingha King Galleries (480) 440-3912 www.kinggalleries.com THROUGH JUNE 16 KALISPELL, MT The Surging, Thundering Herd: Vintage Bison Engravings Hockaday Museum of Art (406) 755-5268 www.hockadaymuseum.org THROUGH JULY 1 PHOENIX, AZ Awa Tsireh: Pueblo Painter and Metalsmith Heard Museum (602) 252-8840 www.heard.org JULY 14-OCT. 7 TULSA, OK T.C. Cannon: At the Edge of America Gilcrease Museum (918) 596-2700 www.gilcrease.org THROUGH AUGUST 5 PHOENIX, AZ Symmetry in Stone: The Jewelry of Richard I. Chavez Heard Museum (602) 252-8840 www.heard.org JUNE 3 SANTA FE, NM What’s New in New: Selections from the Carol Warren Collection Museum of Indian Arts & Culture (505) 476-1269 www.indianartsandculture.org THROUGH JUNE 3 WICKENBURG, AZ One Trader’s…

DANICA FARNAND Director of American Indian Art, Cowan’s Auctions FOR WELL OVER A YEAR, we’ve seen a steady increase in first-time bidders with Cowan’s, culminating in a record number of first-time buyers in this most recent auction. I am continuously astonished at the number of bidders who register for our auctions. As a result our sales, for both high-end and middle-market art, has grown pretty significantly. The active bidding and resulting prices are proof that the market is alive and well. “I am continuously astonished at the number of bidders who register for our auctions.” Our April 6 auction had a heavy focus of material from the Great Lakes and Great Plains. In our last three major auctions, we have also integrated a collection of Ancient Art of the Midwest, which feature pieces that…

CRYSTAL BRIDGES MUSEUM OF AMERICAN ART The Crystal Bridges Museum of American Art in Bentonville, Arkansas, recently purchased two pieces of artwork by Shan Goshorn. The works, titled Venomous and From Where We Spring will be included in the upcoming exhibition Native North America, which charts the developments of contemporary Indigenous art from the United States and Canada from the mid-20 century to the present. “This new acquisition aligns with recent efforts of Crystal Bridges to be more inclusive broadly—in what we collect as well as in exhibitions and programs,” says curator Mindy N. Besaw. From Where We Spring, a single-weave Cherokee-style basket, was inspired by the quote, “It is the mothers, not the warriors, who create a people and guide their destiny,” from Oglala Lakota chief Luther Standing Bear. “The basket interior combines…

We Ask Leading Museum Curators About What’s Going On In Their World

Layla Bermeo Kristin and Roger Servison Assistant Curator of Paintings, Art of the Americas Museum of Fine Arts, Boston Boston, MA (617) 267-9300 www.mfa.org What are you currently working on? I’m pleased to have co-curated the exhibition Collecting Stories: Native American Art, which is on view at the Museum of Fine Arts, Boston (MFA), through March 10, 2019. Right now I’m continuing to create programming related to the exhibition with my colleague (and co-curator) Dennis Carr, the MFA’s Carolyn and Peter Lynch Curator of American Decorative Arts and Sculpture. This exhibition examines the many perspectives, voices and motivations involved in building the MFA’s early holdings of Native American art. Summer and fall programs may include artist demonstrations, public forums on representations of Native Americans at the museum and collaborations with local Native youths. Over the coming year,…

We Ask Leading Museum Curators About What’s Going On In Their World

Dallas Museum of Art features Hopi mural DALLAS, TX At Dallas Museum of Art, the exhibition Hopi Visions showcases a mural painting by Hopi artists Michael Kabotie and Delbridge Honanie. Displayed outside of Arizona for the first time, Journey of the Human Spirit spans 48 feet with six panels, narrating the history of the Hopi people. It covers subject matter from the people’s mythic emergence, the arrival of Europeans and the rebirth of Hopi traditions in the information age. The mural will be complemented by other Hopi works in the museum’s collection and will be on view through December 2. Southwestern weavings on view at Colonial Williamsburg WILLIAMSBURG, VA Open July 14 at the Abby Aldrich Rockefeller Folk Art Museum, one of the Art Museums of Colonial Williamsburg, Tradition and Trade: Navajo Weavings brings a…

FROM PORCUPINES TO MURANO GLASS

What do porcupines have in common with Murano, Italy? From two different continents, both animal and place were sources of material used to create the epitome of Native women’s art: quillwork and beadwork. The question most commonly asked in our gallery is: “Where did the Indians get their beads?” I immediately lead them to our bead counter displaying sparkling bottles of rare and precious antique Venetian glass beads. I went to Venice for the first time in 1980 in search of beads. I needed them for my work as a restorer of antique Plains Indian artifacts. I found that the Venetians were the master craftsmen of glass and had been since at least the 13 century. The Venetians invented the mirror, they invented eyeglasses and they invented the mass production of…

FROM PORCUPINES TO MURANO GLASS

STEPPING OUT WITH BEADED BEAUTY

The Museum of Indian Arts and Culture is showing Stepping Out: 10,000 Years of Walking the West through the end of 2018. It was my great pleasure to curate this exhibition of sandals and moccasins from across the western United States. In the process, I spent a lot of time looking at and learning about beaded moccasins. These shoes are easy to love. They are made to be both comfortable and beautiful, and they speak eloquently of the maker’s skill. Often they also include messages for the wearer. These messages can be as simple as “I love you,” and as complex as reminding the wearer who they are and how they are expected to behave. Take a look down at your feet. What do you see? You’re probably wearing shoes and,…

STEPPING OUT WITH BEADED BEAUTY

A BAG WORTH A PONY

“One of the bead-work pouches is the great ornament of an Ojibway, and any person wearing it is considered to be in full dress; it is worth a pony among the Sioux. Thus the stock of horses is every summer replenished.” —Joseph A. Gilfillan, missionary, 1879 A gashkibidaagan is a large, heavily beaded shoulder bag made by the Ojibwe women of Minnesota. Also known as bandolier bags, similar bags are made and worn by several North American Indian tribes. They are treasured cultural icons among the Ojibwe—also known as Anishinaabe, Chippewa, Ojibwa and other variants. The gashkibidaagan served as a valuable form of exchange and represented leadership and status within the community. While the gashkibidaagan has existed in various culturally distinctive forms among many indigenous nations across North America, it has been…

A BAG WORTH A PONY

FINERY FOR THE FOREARM

Fringed leather gauntlets with beaded cuffs are fashion accessories with romantic and nostalgic links to the American West. Made for use within Indian communities and for sale to outsiders, they served a practical purpose and a decorative function. Their bright designs alluded to sundry thoughts made visible by their creators and engaged viewers in conversations that were variously passive, cryptic, whimsical and provocative. The visual value of these narratives has allowed gauntlets to become intrinsically linked with Western people, their changing histories and varied landscapes. Although they have deep roots in European and Asian history, leather gauntlets did not arrive in the American West until after the Civil War. The gaze of martial decision-makers had then focused on the interior of the republic and its Native American population. An 1872 order…

FINERY FOR THE FOREARM

PERSONAL CONNECTIONS TO THE PAST

In 1917 a dapper young businessman by the name of William Wildschut relocated with his wife of eight years to the burgeoning railroad town of Billings, Montana. Wildschut worked for a small company that specialized in managing farm mortgages in many of the agricultural communities near Billings. On one particular trip to Hardin, a small town about 40 miles east of Billings, he ran into to several Crow men who were friendly and interested in doing business with him. Mr. Wildschut purchased a war shield from one of his new Crow friends and with this he began his personal adventure in collecting Crow material. In the beginning Wildschut used a great deal of his own money to collect Crow material hoping to preserve part of an endangered culture. Another German…

PERSONAL CONNECTIONS TO THE PAST

BEADING CULTURES

Creating art from the humble glass bead—or from indigenous, organic materials—has been a foundational Native art for more than a century. Some of the most innovative artists working today, though, are all firmly grounded in their respective cultures. Here’s a snapshot of current projects coming from the minds—and hands—of these acclaimed artists. DALLIN MAYBEE (NORTHERN ARAPAHO/SENECA) From ledger art to beaded regalia and cosplay, Dallin Maybee’s art is always distinctive. “I got into beading out of necessity to create regalia,” says Maybee. He makes both contemporary and traditional dance designs, delving into his Northern Arapaho and Seneca traditions as well as Japanese design. “I create from my personal narrative—I’m not afraid to hang onto a piece if it doesn’t sell.” Now that he’s not splitting his time between Santa Fe, where he headed…

BEADING CULTURES

BRILLIANT BEADS

Laced with the heart and history of the people who wove them, Native American beadwork tells the stories of the past and present through this unique art form. Represented across a range of tribal groups, including the Kiowa, Lakota and Zuni people, among many others, beadwork is an invaluable part of the world of Native American art collecting. The materials used to create these works are as vast as the types of items produced. Moccasins, pouches, bags and bridles are crafted using cut glass, crystal, Czechoslovakian beads, porcupine quills, buffalo hide and brain-tanned leather, to name just a few. “Being a restorer of beadwork, I can usually recognize ‘artifakes’ easily…If you see nylon thread anywhere, it is a contemporary piece. [If there is] too much dirt and grime on the beads, take…

BRILLIANT BEADS

THOUGHTS ON COLLECTING & ADMIRING NATIVE BEADWORK

“A mentor of mine shared the best advice I had ever been offered: ‘buy three books for every item you purchase and study, study, study. Become a collector and not an accumulator. Purchase the best you can afford, and you will never regret the art. Buy what you love and what pulls at your heartstrings! Create a relationship with a dealer and ask them to teach you as well as to sell to you.’ Great advice.” — Don Siegel, owner, Chipeta Trading Company “In collecting such bags, paying careful attention to condition is paramount. Bags with smaller beads and more subtle, refined designs are preferred. Bags with ‘contoured’ designs are the earliest and the [most rare]. Bags with some element of humor or affection and charisma are the best!” — Barry…

Urban Polychrome LES NAMINGHA (HOPI-TEWA/ZUNI)

SANTA FE, NM The great Hopi-Tewa potter Nampeyo of Hano (1857-1942) was taught by her grandmother. Her dedication to perfection continues in her descendants today. Nampeyo perfected Hopi forms she found in shards of prehistoric pottery and the vessels of a high point in pottery making in the time before the arrival of the Spanish. Her great-granddaughter, Dextra Quotskuyva, was declared an Arizona Living Treasure in 1994. She uses traditional methods to form and fire her pots, but has experimented with forms and painted designs. In 1989, she began teaching her nephew, Les Namingha, the Hopi methods and traditions of pottery making. Namingha was born in 1967 at Zuni Pueblo. His father was Hopi-Tewa. He absorbed different cultural influences throughout his youth. Today, in his highly acclaimed pottery and paintings, he incorporates and…

Urban Polychrome LES NAMINGHA (HOPI-TEWA/ZUNI)

Eccentrics and Curios

SANTA FE, NM From ancient times, Pueblo potters have fashioned figures in clay. In her book, The Pueblo Storyteller: Development of a Figurative Ceramic Tradition, Barbara Babcock wrote, “Figurative designs may be described as embodiments of and prayers to ancestors, gods, or spirits for rain, for crops, for success in hunting, and for human and animal procreation…” There are clay female figures from the Ancestral Puebloans of the 400s CE and, in 1964, Helen Cordero of Cochiti Pueblo began making storyteller figures based on her grandfather, a Cochiti storyteller, surrounded by children. Cochiti artists made satirical figures in the 1880s, poking fun at the visitors who began to invade the Pueblos with the coming of the railroad, from circus performers to the clergy. Lyn Fox has assembled a group of some 30 items made…

Eccentrics and Curios

A Sense of Community

SANTA FE, NM Brian Lebel’s Old West Events, which has hosted a number of shows in Texas in recent years, is making a big move to Santa Fe, New Mexico, for its annual summer show. Lebel says Texas was a success, but big cities tend to abide by the law of diminishing returns—a larger foundation of people and resources does not always equal larger audiences or sales. What he set his sights on was a smaller city, a city with a culture and community of art, a city that was walkable and easily accessible. The city he was looking for was Santa Fe, New Mexico, and on June 23 and 24 Lebel will bring his annual summer show, the Cody Old West Show & Sale, to the Santa Fe Community Convention Center. “We…

A Sense of Community

FORT SUMNER, NM In the summer of 1868 in a field east of Fort Sumner, New Mexico, near what was known as the Indian Issue House, representatives of the Navajo and United States governments signed the Treaty of Bosque Redondo which acknowledged the sovereignty of the Navajo Nation. Thus, after four years imprisonment at the fort, more than 3,000 deaths and nearly 53 individual long walks, approximately 7,300 Navajos mounted horse and wagons at dawn to return to their original homelands in the Four Corners region. The column of people was said to stretch over 10 miles. Navajo leader Barboncito at the time told his people that “After we get back to our country it will brighten up again and the Navajo will be as happy as the land. Black clouds will raise…

Crossroads of America

INDIANAPOLIS, IN Returning to the Eiteljorg Museum campus for its third year and to the city of Indianapolis for its 26 year, the 2018 Eiteljorg Indian Market and Festival takes place June 23 and 24. The festival will welcome around 120 artists from more than 50 Native cultures across the United States and Canada to show their jewelry, pottery, paintings, sculpture, basketry and other fine artworks. Participating artists this year include Mark Taho, Adrian Wall, Tyra Shackleford, Fortune Huntinghorse, Monty Little, Matagi Sorensen, Mavasta Honyouti, Samuel LaFountain, Nanibaa Beck, Penny Little, Glenda McKay and Jody Naranjo. McKay will bring a neck sheath knife titled Ancestors, with hand-carved ivory charms decorating the fringe and strap. Shackleford’s textile titled Chaloklowa’ Toklo (Twin Turkeys) is created with soy silk, and was inspired by shell carvings from…

Crossroads of America

Building on Tradition

RAPID CITY, SD A celebration of Great Plains Native art and culture, Native POP showcases original artwork from established and upcoming Native visual artists, including Marlena Myles, Keith BraveHeart, Terran Last Gun, Angela Babby, Wade Patton and others. A one-day, juried fine art show, this year’s event will be held on Saturday, July 21, from 9 a.m. to 6 p.m. at Main Street Square, where visitors can purchase works of art directly from the artists themselves. It’s not just an art market, however—Native POP is a full-blown cultural event in its sixth year running, with Native performing artists and culture bearers, who, in recent years, have included such traditions as regalia making, quillwork, beadwork and bow and arrow making. “It’s a celebration of the arts and culture, which go hand in hand to…

Building on Tradition

PHOENIX, AZ Arizona weather can be finicky: it’s either entirely too hot or just perfect, with little leeway in between. So when cool breezes and clear skies settled upon the 60 Heard Museum Guild Indian Fair & Market on March 3 and 4, collectors and artists knew the weekend would be a memorable one for the long-running Phoenix market. Hundreds of artists and thousands of guests were on hand to browse and buy artwork of all kinds, enjoy live music and dancing performances, and to enjoy the tremendous collection inside the Heard Museum. The wildly popular event, second to only the Santa Fe Indian Market, routinely draws the best jewelers, basketmakers, bead and quill artists, potters, painters and sculptors, glass artists, carvers, jewelers and weavers to the Heard’s sprawling downtown campus. According…

Collecting Stories

BOSTON, MA Denman Waldo Ross (1853-1935) was a professor at Harvard, an artist and a consummate collector who was a trustee of the Museum of Fine Arts, Boston, from 1895 until his death. Speaking at a trustee’s meeting shortly after Ross’s death, John Templeman Coolidge said, “Adequately to describe the vast number of gifts would call for a special publication in many volumes and can only be lightly touched upon here, for they counted up to eleven thousand….” In a 1913 issue of the MFA Bulletin Ross wrote, “It has not been intended in gathering this collection to illustrate the history of art or the ways of craftsmanship, though that is done incidentally. The history of art is indiscriminate. It chronicles both decadence and development. Our real interest lies in art itself…

Collecting Stories

Enduring Beauty

ORLANDO, FL Forty years ago, I.S.K. “Keith” Reeves and Sara W. Reeves, who reside in Winter Park, Florida, began on a collecting journey of Native American art across the cultural areas of the United States. They gathered pieces of Inuit art, Plains, Northwest Coast and more, but their collection of Seminole items is perhaps the most distinguished. With works spanning from the 1820s to today, including a grouping of historic photography, the collection is considered the world’s largest of Florida Seminole material in private hands. Through July 8, Orlando Museum of Art in Florida will present Enduring Beauty: Seminole Art & Culture, which celebrates the life, history and art of the Seminoles solely through the context of the Reeves collection. On view will be regalia, baskets, carvings, dolls, paintings and more that…

Enduring Beauty

BRUNSWICK, ME In 2017, the Bowdoin College Museum of Art acquired a major late-19 century Lakota painting depicting a Sun Dance ceremony. “It’s the first of its kind to enter the museum’s collection, and to celebrate it, we decided to put on an exhibition to highlight and contextualize the painting, both with historic and contemporary work,” explains Frank Goodyear, co-director of the museum and curator of Art from the Northern Plains. The muslin painting at the center of the exhibition is an elaborate representation of the Sun Dance ceremony, which was outlawed by the United States in 1883. Dancers painted in blue and yellow and decked out in ceremonial regalia encircle a cottonwood pole. On the left, a drum circle performs, and on the right, a prayer circle is taking place. In…

Making his Mark

SANTA FE, NM To aficionados of Southwestern jewelry, the name Norbert Peshlakai (Navajo) is synonymous with silver, which is pretty fitting, since the name “Peshlakai” or more accurately “Beeshligaii” translates to “white metal” or “silver.” The surname is peculiarly fitting for this artist, who comes from a long line of silversmiths; moreover, his mother, Lydia, is renowned in the art of Crystal rug weaving, an art form with roots in Crystal, New Mexico. Six of Peshlakai’s eight siblings, in fact, continue textile traditions today. Despite his family’s enviable artistic pedigree, Peshlakai, intriguingly enough, didn’t originally set out to work with silver. In college, he studied painting before an administrative mix-up led him to a jewelry-making class. Today, his stunningly detailed work, from meticulously stamped and inlaid bangles to tiny, gleaming seed…

Making his Mark

CHAMBERLAIN, SD On December 29, 1890, a detachment of cavalry soldiers surrounded a large group of Lakota people near Wounded Knee Creek in South Dakota. The soldiers, who were tasked with escorting the group, began to disarm the men and a melee broke out. A shot was fired, sparking one of the deadliest massacres in American history that would leave nearly 300 Lakota, including women and children, dead in the snow. The violence was so intense and merciless that it was reported infants were found nursing from dead mothers. More than a century later, the Lakota people still ask one question: Why? That one-word question—Takuwe in Lakota—is the title of an exhibition opening in June at the Akta Lakota Museum & Cultural Center in Chamberlain, South Dakota. The exhibition, which recently arrived…

Crafted with Care

LOS ANGELES, CA From war shirts and dresses to cradleboards and pipe bags, the selection of Plains and Plateau beadwork coming to market during Bonhams’ June 4 Native American Art sale is particularly noteworthy as well as wide and varied. “The June sale is especially strong in Plains Indian material, and includes objects from estates, such as the Louis Fenno painting and the early pony-beaded tobacco bag, which are from the same old California family, as well as items from the collections of individuals who have been active on the market in more recent years…,” says Ingmārs I. Lindbergs, director of Native American Art at Bonhams. “Together they form a solid selection of high-end Plains material, much of it entirely new to the market or acquired 20-plus years ago.” Highlights of the Plains…

Crafted with Care

Spanning the Centuries

DALLAS, TX Pottery, beadwork, jewelry, baskets and more will be among the Native American artwork available during Heritage Auctions’ June 26 Ethnographic Art sale in Dallas. One of the top lots of the auction is a book of Kiowa ledger drawings by Etahdleuh Doanmoe (Hunting Boy) that features 33 drawings with some running across two pages, which span 22 inches across. The imagery recalls the artist’s life as a free man as well as his life incarcerated for three years at Fort Marion. Having been held privately for the past 142 years, the book is fresh to the market and expected to fetch between $60,000 and $80,000. According to Heritage Auctions’ ethnographic art department head Delia Sullivan, “It’s the most exciting lot in the sale. It’s a wonderful book.” Another major highlight is…

Spanning the Centuries

A Growing Market

CINCINNATI, OH On April 6, Cowan’s Auctions hosted its American Indian and Western Art sale to a record number of bidders. Their excitement for the day’s offerings helped push the total to $1.4 million, with beadwork and the final segment of the Jan Sorgenfrei Collection of Prehistoric Art proving to be of particular interest. “We had a record number of new buyers in the auction, and have been witnessing a steady increase of new registered bidders,” says Danica Farnand, the auction house’s director of American Indian art. “Every auction we are also seeing more and more interest coming from Europe. These data point to the fact that the market is growing and there is a high level of collecting interest. I feel that the bidding and prices are proof that the market…

A Growing Market

Bountiful Sales

DENVER, CO On April 20 and 21, Leslie Hindman Auctioneers hosted its first Arts of the American West of 2018 to a flurry of bidding from in-house, online and by phone. In all, the sale totaled $744,700, with 90 percent of the Native American lots finding buyers. Discussing the category, the auction house’s Arts of the American West head of sale and consignment manager, Rachel Enright, says, “The baskets and jewelry session were definitely our highlights and performed the strongest.” Enright adds that there was a particularly notable interest in California baskets, with many people asking questions about the items prior to the sale, which then carried into the auction results. She elaborates, “The biggest surprise in terms of baskets was the California baskets. People gravitated toward those at this time.” One…

Bountiful Sales

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True Crime United Kingdom Magazine (Digital) Subscription June 1st, 2016 Issue

True Crime United Kingdom Magazine (Digital)

True Crime 2nd Edition: $8.99

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