REBIRTH RENEWAL REWARD

Renowned artist Nari Ward gives Tatler a peek into his Harlem studio as he prepares for his solo exhibition in Seoul

By Aaina Bhargava

In the summer of 1996, Nari Ward was walking around Harlem; this wasn’t unusual for the artist, who wandered through the district on a daily basis, scavenging discarded objects to make art with. Except this time he was pushing a cart in which he placed a makeshift effigy made out of refuse—namely twisted plastic bags in various colours wrapped around empty bottles, enacting his first performance piece, Pushing Saviour. The work was inspired by an existential query of sorts and prompted by a childhood memory. “I was thinking about how we create faith,” Ward tells Tatler. “I was thinking that some kind of energy or entity was pushing this form [the makeshift effigy], but really, I was pushing [it] myself. In a way, I was pushed into the Abyssinian Baptist…

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Tatler Hong Kong (Digital) - 1 Issue, September 2024

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