The etymology of the word translation—“to carry across”—conjures an image of physical labor. It is deeply relational, requiring at least two bodies, those of an author and of the person who carries the author’s words to a previously unvisited place. Let’s say we removed the laborer and replaced that person with a car. Or a train. Suddenly there is a feeling of weight lifted, certainly ease, and perhaps a little relief. But the intimacy of the earlier image no longer holds. Whether this matters has been the subject of recent debate as some publishers consider using machines to replace human translators and what that decision might mean for an ancient art.
In November, Dutch publisher Veen Bosch & Keuning (VBK), a subsidiary of Simon & Schuster, announced that it would…
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Poets & Writers (Digital) - 1 Issue, March/April 2025