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Country Life (Digital)

Country Life (Digital)

1 Issue, March 12, 2025

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It’s a Scream

Edvard Munch, afflicted by alcoholism, untethered like much of his generation by the loss of God, painted wild, hallucinatory pictures that became increasingly raw over the years, until he found salvation in Nature, as Jessica Lack discovers
It’s a Scream
IN 1892, an exhibition in Berlin, Germany, was shut down in outrage, causing instant notoriety for the 28-year-old artist whose work was on show: Edvard Munch. ‘This is the best thing that could have happened to me,’ he wrote to his aunt, ‘a better advertisement I couldn’t have wished for.’ German audiences didn’t know what to make of the Norwegian’s wild, hallucinatory paintings that expressed intense emotions. ‘Art is in danger!’ headlined the Frankfurter Zeitung: only a ‘demented character’ could have painted such ‘poison’. ‘Die Affaire Munch’ all but canonised the Nordic painter as a pioneer of Modernism. He has been subsequently revered by Symbolists and Surrealists, Expressionists and neo-Expressionists, pop artists and situationists and on into the present day, when Peter Doig considers him a major inspiration and the…
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Country Life (Digital) - 1 Issue, March 12, 2025

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